Seers and Stumbling Blocks: John Turner’s _Brigham Young: Pioneer Prophet_

For those Latter-day Saints uninitiated in the intricate details of Mormon History, John Turner’s Brigham Young: Pioneer Prophet would be a complete shock to the system. Most Mormons are aware that Brigham Young was a man who many took offense to because of his frank talk, combative tongue, and indomitable will. However, many are less aware of how truly radical and assaulting he could be in his most extreme moments. Condoning and covering up (if not authorizing) moments of extreme violence. Deeply disturbing racial and gender prejudice. And his language! I’m not just talking “damns” and “hells” here… sensitive Mormons will be shocked to find a prophet of God using profanity, vulgarity, and racial slurs that they would wash their children’s mouths ten times over for using (and these were often speeches he gave in public! Or in letters that were meant for the President and Congress!).

Fortunately, I do know my Mormon History well enough not to have an honest and forthright biography like this shake the foundations of my belief system. I was familiar with the vast majority of the events and context of the history (and also knew enough to recognize moments when Turner was abridging information and knew which”side” he was taking in certain thorny historical debates). Having been the research assistant and co-writer on a play about the Utah War and the Mountain Meadows Massacre, not to mention the writer of a number of other Mormon History plays that included Brigham Young as a character, I had to get to know Brigham Young pretty intimately. My persistent interest in and study of Mormon History really does make it hard for people to surprise me (I love it when antagonistic anti-Mormons try to shock and rattle me with Mormon history facts and I can tell them, “I know. And did you also know that…”).

So that background helped me in the more disturbing episodes of the very informed journey that Turner brings his readers on. However, Turner, capitalizing on the new opportunities that the Church’s more freeing attitude about its history and archives have afforded, did bring me to depths even my amateur Mormon historian experiences hadn’t made me aware of.  There were times that I had to stop, digest what I had read, and do an internal check on how it fit into my belief system (and if there was anything in that belief system I had to modify as a consequence). There were times that I was disturbed by what I had read and had to backtrack through my mind and heart and fortify my faith by connecting it to other just as real facts and context that were part of the fabric and tapestry of Mormon History. But those kind of facts can rub the soul raw after a while and leave you feeling sensitive.

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Remembrance of Drama Past

Mormon Drama reached something of a high point in the 1950s.  Hundreds of performances of plays occurred in wards and stakes under the auspices of the MIA, which published as many as a dozen or more plays in its annual MIA Book of Plays.

Terryl Givens, in his recent People of the Paradox writes that this anthology contained “offerings largely obtained through national playhouses.”1 However, depending on how you read “largely” this might be misinterpreted. By my count nearly 25% of the plays in these anthologies were Mormon works.

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A Short History of Mormon Publishing: The English Period

The second of seven posts and an introduction. See also Part I, Introduction

Biographical Sketches of Joseph Smith, the Pro...
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The exodus of most of the Mormons in the United States to a part of “Upper California” (now Utah) starting in 1846 interrupted publishing by Mormons throughout that country. Of the Church’s three official publications, the Times and Seasons closed down that year, as did the New York Messenger (successor to the Prophet). This left the LDS Church, under the leadership of Brigham Young, with just one official publication, the Millennial Star, published in Manchester, England.

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