[Note: I’ve made no effort to select quotations from their term as Church president. The words quoted may have been spoken at any point during their life.]
By proving contraries, truth is made manifest.
Upon the stage of a theatre can be represented in character, evil and its consequences, good and its happy results and rewards; the weakness and the follies of man, the magnanimity of virtue and the greatness of truth. The stage can be made to aid the pulpit in impressing upon the minds of a community an enlightened sense of a virtuous life, also a proper horror of the enormity of sin and a just dread of its consequences. The path of sin with its thorns and pitfalls, its gins and snares can be revealed, and how to shun it. more →
Introduction to Textual Variants Part IV
When my father taught as a Fulbright professor at the University of Oulu, Finland in 1970-71 we took along an anthology of humor, maybe A Sub-treasury of American Humor, ed. by E. B. White, which had this piece by Robert Benchley with the very strange title “Filling that Hiatus,” about what to do when the people on either side of you at a dinner party are talking to someone else. I couldn’t figure out what a hi-uh-toose was, and for some reason didn’t think to look it up. Now that I’ve been on a taxing highertoose for about a month I figure it’s thyme to parsley write down what I’ve been thinking about.
In Part III I mentioned Joseph Smith’s discourse of Sunday October 15, 1843 which starts with a comment on his love for the Constitution and its guarantees of religious freedom, then moves on to a comment about textual corruption in the Bible, “I believe the Bible as it read when it came from the pen of the original writers. Ignorant translators, careless transcribers, or designing and corrupt priests have committed many errors.” (Documentary History of the Church VI:56-57)
The quote, though not the rest of the discourse, is well-known to seminary students and missionaries, and a young missionary might mention it to a woman who asks why we need additional revelation, hardly expecting her to say, “Do you really believe Jehovah God Almighty would allow errors to get into His scriptures?”
As Motley Vision‘s newest Official Contributor, I feel an obligation to have my first post explain something of my experience within and attitude towards the Mormon arts.
Several months ago, I plotted out a post called “Hero’s Journey of the Mormon Artist” which I had intended to submit to William. I’m glad I never finished it however as further reflection has suggested to me that I was implying that that my proposed version of the hero’s journey was a necessary part of being a good Mormon artist. As if being an Orson Scott Card or a Dean Hughes is more admirable than being a Heather Moore or an Anita Stansfield (no sexism intended). And so I continued refining the idea and now I feel that it is not Mormon artists who are on a hero’s journey, but the Mormon arts entire. I will not be going into all seventeen stages of the monomyth, but I will deal with the three major groupings and hit on the secondary levels when they seem helpful.