I’ve written before about the once great status of Mormon theatre, and the infrastructure it once enjoyed. So I was pleased to find comments about the beginning of this infrastructure from Horace G. Whitney, longtime Deseret News editor-in-chief and the paper’s drama critic. In my opinion infrastructure, broadly conceived, accounts for much of what has happened in Mormon drama over the past century. Whitney, in the article below, describes a vision of how drama could operate under the MIA and ward amusement committees (which were roughly the equivalent of the recently disbanded ward activities committees, I assume).
Since I’m late getting this post up, I found a short statement from an Improvement Era article that I haven’t seen elsewhere. Where most of the statements we find from General Authorities and in Church magazines focus on the morality of the content of literature, urging Church members to select only the good, and writers and artists to create only the moral, this statement instead talks about the morality of how we use literature—specifically respect for the author’s rights. Fortunately, it is also a statement about something that is very relevant to today’s conversations about literature.