I love the form; I’ve always have a, always had a love/hate relationship with comics: I love the form, but some of the content are not to my liking.
Yeah, I’ve read you’re not a big superhero fan.
No, I’m not. I’ve done a lot of superheroes, but basically I’d rather have more uh, less fantastic stories.
I read — I read also that you, um, prefer war stories over other types because of the Cuban Revolution? Would you agree with that?
Well, not really, what I said is I prefer war stories because having been raised in the 1930s in Cuba and having seen a lot of fighting, a lot of terrorism around me. The first memory of my life was my house being surrounded by a mob —
— and shot to pieces by a mob.
When I think of war stories, of the children, I think of the grownups going through all that horror and it is very real to me; and superheroes flying in the air are not very real to me, frankly.
I can understand that.
Yes. So, you know, and, uh, also, during my teens, that was the time of World War Two, and the movies and the newsreels and the air just sizzled with the idea of winning the war against the Nazis.
And so so that’s very much in my consciousness. And the two kinds of stories that I like are either war stories where you see an ordinary person become a hero —
— or stories of uh human relations.
Continue reading “Ric Estrada: Grounded in reality”
Recently I wrote a short monograph about Mormons who work in comics.
And youâ€™re probably the best known of them.
Yes, I am.
And I just wanted — there is — Iâ€™m working on — for instance Iâ€™m thinking about putting together an anthology of Mormon artists and I was curious what you think Mormon comics should look like in the future
Oph! Is that a question? What Mormon comics should look like in the future? Well, I tell you: because I worked for commercial publishers, DC comics mostly, for DC Comics for sixteen, seventeen, eighteen years, and for other New York publishers because I lived in New York at the time.
But the comics I did usually followed the stories they gave me to illustrate, which were superheroes, war stories, romance stories, detective stories. I used, you know, in the late, oh, 1940s, early 1950s, western stories, cowboys and Indians.
So as far as MORMON comics, I donâ€™t know that thereâ€™s anything like MORMON comics.
I donâ€™t think there is.
No, I think itâ€™s a, you know, itâ€™s a nice thought, but itâ€™s a misnomer.
Ric Estradaâ€™s mentor when he first arrived in New York was a, â€œwhat do you call him, a Jack Mormon . . . he came from a Mormon background and he told me a thing or two about the Church, but he was disconnected with it.” Needless to say, this man was was not making â€œMormonâ€ comics. And outside of Church publications (mainly The Friend), there has been very little done in that respect. A thing here, a thing there. Gags in Sunstone, Mike Allred’s Golden Plates — but not much. So I asked the man with the experience why he thought that was. He offered two reasons.
Continue reading “Ric Estrada: The beginnings of MORMON comics”