Elizabeth C. Garcia’s new chapbook Stunt Double (Finishing Line Press, 2015) is a strong contribution to the field of Mormon poetry. While not overtly Mormon in content, it addresses many of the themes and preoccupations—social and theological—that Mormons grapple with regularly. Specifically, Garcia’s poems display an obsession with the internal landscape of family dynamics, foregrounding intricate ties that bind parents to each other and their children. Often, Mormons speak of interest in these ties as the “Spirit of Elijah,” or the turning of generational hearts to each other. While this “spirit” is usually associated with genealogical work, Garcia’s poems show how the it can manifest itself as we seek to understand the nature of family, generations, and the lived, enduring consequences of human relationships.
We see this happen, always subtly, in most poems in the collection. In “Leaving California,” a poem Garcia dedicates to her mother, we see how something as simple as a cross-country move accentuates the cost of family life on the individual:
She bundled up her baby, all her mother things, her books,
till the blue wagon was full. Her husband drove the whole way,
so she watched the desert, how it stood still for minutes
at a time, only moved when she wasn’t looking, like her life,
plucked, because he had a dream:
they would live in Georgia, where she knew no one,