Tag Archives: mormon arts

Dark Watch and other Mormon-American stories is available for pre-order

5.7.15 | | 6 comments

Cover of William Morris collection Dark Watch and other Mormon-American stories

6/1/15 Note: it’s now available on all four platforms:

PURCHASE: Amazon | Kobo | Nook | iBooks

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I’m delighted to announce the forthcoming publication of my short story collection Dark Watch and other Mormon-American stories. It’s available for pre-order right now at: Amazon (Kindle) | Kobo (epub files). It’ll also soon be available at Barnes & Noble (Nook) and iBooks (iPad/iPhone). It’ll officially go live on Saturday, May 16 (which is when pre-orders will be delivered).

I’ve published it myself under the aegis of A Motley Vision. The main reason for that is that I want as much of the proceeds from sales as possible to go to support AMV and related projects. I go into more detail below about that decision and a lot of other things.

Oh, and here’s the pitch for the collection:

In Dark Watch and other Mormon-American Stories, William Morris explores how Latter-day Saints navigate the challenges of living in the modern U.S. and participating in the modern Church. Spanning from the early 1980s to the present and into the next century, these 16 stories portray moments that are uniquely, thoroughly and sometimes bittersweetly Mormon-American.

Now on to the gory details…

ON THE STORIES
The book collects 16 stories that take place from the early 1980s through the 22nd century — 6 take place in the future (they’re science fiction! [of sorts]).

9 of the stories are less than 2,000 words in length; Dark Watch is just over 8,000 words. The rest are between those two numbers. The total collection comes in at 40,000 words, which is about 120 print pages.

A big chunk of the stories were published in either Dialogue, Irreantum or the Mormon Lit Blitz. The rest are unique to the collection.

The stories were all written 2006-2013 and coincide with the bulk of my non-fiction writing about Mormon literature and culture. All of the stories are very Mormon and are about the current Mormon-American experience and range from the almost devotional to the almost heretical. That almost is important for me to accomplish (see: my series on the radical middle).

A couple of the stories that were previously published have been slightly edited from their previous state. I don’t think I did anything major, but there are differences.

ON PRICING & PROCEEDS
At $4.99, the collection is deliberately priced on the high end of the (very few) comparable ebook volumes of Mormon short stories out there. I figured $1 for each 10,000 words plus another buck for more than a decade of free literary criticism here at AMV and elsewhere. Plus, it feels to me like an EP and EP’s are/used to be $5.

Proceeds from sales of the collection will go to fund Mormon literature projects. Specifically, I hope to bank enough to cover the bulk of the costs for the Mormon alternate history mini-anthology I plan to edit. And by costs I mean token payments (at least $15, hopefully more like $25) to contributors. I hope to also subsidize some of the web hosting costs for AMV and its sister blogs.

Anyone who can’t justify the spend right now but really would like to read the collection should email me at william at motleyvision dot org. Be sure to indicate if you’d like a .pdf, .epub (for Nook, Kobo, Sony Ereader, etc.), or .mobi (Kindle) file. I know what’s it like to not have the funds to buy books even though you’d really like to support the author. It’s more important to me that you experience my writing. I’m not going to just make it free on Amazon or whatever, but email me, and I’ll shoot you back the format of your choice no questions, no judgement.

ON THE COVER
I created it myself in Adobe InDesign. I thought about using a striking black and white photo like one does with short story collections, but I also wanted to tie it into the A Motley Vision branding. Plus I like minimalist book covers. In fact, my preference would be to have no words on the cover at all, but in the end I bowed to convention.

The maroon color is the exact same color as the one I’ve used for AMV since moving it to WordPress many years ago. That would be #3d0807 or R=61, B=8, G=7. The typeface is Avenir. I’ll let you figure out what the squares represent.

ON SELF-PUBLISHING
The calculus is simple: the only publishing house that would potentially be willing to take this on is Zarahemla Books. I’d be happy to be part of that list. It’s great company. But a) there’s no guarantee that Chris Bigelow would want it; b) since proceeds would be split with ZB, that’d dilute the net income from sales; and, c) it just seemed like this project was an AMV one. Future projects might not be.

My sister Katherine and father-in-law Tim provided editorial work. I did everything else.

ON A PRINT VERSION
Probably won’t happen—at least not anytime soon. Yes, I have friends who I could convince to do the layout for free or at a reduced price. Or I could take the time to up my InDesign skills enough to do it myself, but at the moment I’m not inclined to spend that time or good will. Sorry. If a print version does happen, it won’t be until after the alternate history anthology, which means late 2016 at the earliest.

So those are all the details. I’m happy to answer questions in the comments. Stay tuned for more here (and elsewhere) on the stories, my future projects, etc. And thanks, as always, for your support of me and everybody else involved with A Motley Vision and the MormonLit community.

On Writing and Permission: Drafting My New Life

7.8.14 | | 10 comments

Almost exactly two years ago I wrote this post for AMV. It is all about seeking permission— from the commenters, contributors, and readers of AMV, from God, and from myself—to start reclaiming things I had given up or lost. I framed it all in the context of writing and mother-guilt but, reading it now, I can see I wasn’t actually asking for permission to write. I was asking for something much, much larger.

Two years ago, my life was a mess and I wasn’t sure I was going to live much longer to fix it. My marriage was a destructive one and it was slowly killing me. I was having increasing amounts of suicidal ideations and my children were acting out in more and more ways. The things I was working so hard to fix (read: change, hide, or cover-up) weren’t getting fixed and I was finding myself under more and more stress trying to compensate for all the things that happened behind closed doors.  The gory details of my marriage don’t belong on the Internet—they are private experiences and I intend to keep them that way—but here’s what I’m willing to say about it: it wasn’t tabloid-bad but it was bad.

Two years ago, I was waiting for someone—the commenters, contributors, and readers of AMV, God, or myself—to give me permission to stop living half a life, to be a full person, to get out of my marriage.

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I was so scared when I wrote that post. Trying to keep myself and my kids afloat inside the context of my marriage was fairly all-consuming and confusing and, in June 2012, the parts of myself that I had given up listening to were telling me quite loudly that it was make-it-or-break-it time. These were the parts that urged me to write, the parts that urged me to keep praying and trusting God. They were also the same parts that told me my marriage was ruining my life. At thirty years old  with four small children, so much of my life was a pile of things I didn’t want and it was time to make it into something else or let it break me down, maybe permanently.

Over the course of my marriage I had found that the more time I spent writing the more cognitive dissonance increased. Flannery O’Connor said, “I write because I don’t know what I think until I read what I say.” Joan Didion echoed that when she wrote, “I don’t know what I think until I write it down.” Whenever I sat down to write the things that kept cropping up were loss and fear and darkness and surrender. The differences between what I presented, that far too common Sunday Face we all know so well, and my reality were strangulating.

Dropping into writing, committing to it, meant hearing all my parts and honoring the truth that was waiting for me there. There was so, so, so much pain and no matter how hard I worked and prayed and wished my marriage was still a mess and I was failing. Big time. Failing at being a present, engaged mother; at fulfilling the Mormon cultural ideals I held at my core; at being a writer; at being a whole human.  There were so many things I had to keep hidden I couldn’t engage in any form of honesty and, turns out, honesty is where a hell of a lot of success, both in writing and life, starts.

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It took almost an entire year for the pieces to fall into place, but in May of 2013 God told me it was time to get out. In June of 2013 I moved my husband out of our family home and watched my children’s hearts simultaneously break and start to beat easier. In July of 2013 I filed my divorce papers and finally took an honest look at the seven million broken pieces that were my heart and spirit. In August of 2013 I put my kids in daycare and went back to work. In October of 2013 the divorce was finalized. In March of 2014 our marital house sold and I moved to a new stake, where I could build a life for just my kids and I with a clean slate.

It’s been a year of horribly hard things.

But it’s also been a year of honesty and a year of realizing that not all the failures are mine. My husband failed me. My marriage failed me.  In fact, when it comes right down to it, looking back at all the things I failed at while I was trying to fix my marriage I don’t see so much failure. I see someone doing the best she could in an impossible situation and maybe she wasn’t perfect but maybe being perfect, keeping up with all the things she thought she was supposed to be, was never the point.

Jesus said, “And you shall know the truth and the truth shall set you free.”  Like pretty much every person ever, failure, my own and those of the people around me, were (are!) a massive part of my truth. I had (have!) to accept them in order to be set free.

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Freedom, it turns out, is trickier than I thought it was going to be.

When I imagined being out of my marriage. . .well, actually, I never could fill that in. It was a giant blank space. It felt exactly the same as sitting down in front of a blank sheet of paper. Throat tightening. Heart pounding. Expectations rising.  Mind racing. No clue what on earth was supposed to go there.

So I’m doing with my life what I do with blank pages: I’m folding it in half and then in half again because filling small bits of blankness is less overwhelming.

Just like novels get written one word at a time, new lives get written one day at a time. The key is the doing of it.

I get up every morning and I don’t think about the vast expanse known as The Rest of My Life That Isn’t What I Thought it Would Be. Yes, I still say things to myself like, “This is not what I signed up for.” Being a single mom to four kids isn’t easy. Trying to figure out how to make enough money to provide for four kids when my heart is yearning to just get an MFA and dream up novels and poems and teach for the rest of my life isn’t easy. Dealing with being young and divorced in a family-oriented Church isn’t easy. Waiting on God to reveal promised blessings and relying on the strength of my covenants isn’t easy.

But I can rewrite my thinking now. My life might not be what I expected but it is something that, with God’s help and guidance, I can shape. Filling it in, shaping it, writing my own life might not be easy but it’s something I can do. One word, one day, one draft at a time.

My days are now shaped by work and filling in the gaps with things I love: gardening, playing with my kids, exercise, reading, and writing. I still don’t have a novel to hold up as validation or proof of success. Kinda like I don’t have a marriage to hold up as validation for my life choices or as proof of success both as a functional adult and a Mormon. (And believe me, I want that validation so deeply!) But every day I put words on the page and while thousands and thousands of them get edited out and the ones that stay might not ever add up to any great work they fill the empty space, both on the page and in my life. And, sometimes, I even enter that charmed space of inspiration and unexpected moments of musicality and profundity and discovery occur.

It is incredibly satisfying.

Word by word, day by day, the pieces of my broken heart and spirit are being forged into something new, something bigger with nooks and crannies that are healing and filling out. There really is an art to being a whole human and it’s one that I figure, like writing, I’ll spend the rest of my life practicing.

The best part, though? I’m no longer asking for permission because, it turns out, I never actually needed permission. I only needed to write enough to be able to hear myself think.

Outtakes from my Artistic Preaching interview

6.20.14 | | 4 comments

AMV turned 10 this month so Scott Hales interviewed me for his blog Artistic Preaching. I appreciate the publicity, but am sad about the questions and answers that hit the cutting room floor. So I have decided to publish the outtakes from our interview*:

SH: What advice do you have for young Mormon writers?

WM: You know the advice to show don’t tell? Ignore it. Or rather, show physical details and action and all that rather than just tell it, but make sure that you tell the reader how they are supposed to feel about each of the characters and their actions. You really need to drive home the correct interpretation of the dramatic situation to the reader; otherwise, you risk being misinterpreted. And no Mormon writer should ever be misinterpreted.

And remember: the bad guys have facial hair. Always and without exception.

SH: Can Mormon artists write tragedy?

WM: No.

SH: What do you think about the use of Twitter by Mormons aka the Twitternacle?

WM: Twitter degrades discourse because it limits thoughts to 140 characters. We are a people whose main form of literature is the 20 minute talk. Our leaders used to preach for over an hour. We are going to lose our stamina for longer form work if we continue to indulge in the quick quips and shallow thoughts of tweets. If you are serious about creating Mormon art, you should definitely not engage with the Mormon arts people of the Twitternacle. Even if some people who are part of it are incredibly amusing and interesting.

SH: What issues do we not talk about enough as a community?

WM: Rated-R Movies. The Great Mormon Novel. The lack of an audience for Mormon literature. Why Mormon artists can’t write tragedy.

SH: Entertainment has the EGOT. Horse racing has the Triple Crown. Tennis has the Grand Slam. What’s the Mo-lit Grand Slam?

WM: There are so few awards that I think it’s hard to hinge it around them. I’m going to say that the Mo-lit Grand Slam is getting a lit-fic story published in Dialogue or Sunstone, an historical fiction novel acquired by Covenant, a YA novel acquired by a national publisher, and a short story collection acquired by Zarahemla Books all in the same year.

SH: What’s with all the Mormon Science Fiction & Fantasy writers?

WM: There’s the “Mormons have weird doctrine and like to discuss it and so are used to the speculative form” theory. There’s the “there’s actual money in SF&F” theory. There’s the “critical mass of core writers which then snowballs across the community” theory. My theory is that sleep deprivation because of early morning seminary and/or other church activities and/or having children at a young age and/or going on a mission permanently changes members brains so that we are always in the slightly hallucinatory state that leads to wildly speculative daydreaming which then gets channeled into writing SF&F.

SH: What’s with all the Mormon YA writers?

WM: Well, duh. It’s because Mormons live in an arrested state of development and refuse to face the gritty, difficult, complex issues of adult life and so, naturally, they tend towards YA and middle grade novels both as writers and readers. Also: it’s where the money is.

SH: What’s with all the Mormon lit-fic writers who go apostate?

WM: They aren’t apostate. They’re sleeper agents among the artistic Demi-monde. You would think that they would have been triggered by the Romney campaign, but I have it on good authority that they are being reserved for a different project. It may or may not involve Neon Trees, Jabari Parker and Elder Uchtdorf.

SH: What’s the greatest threat to Mormon letters?

WM: The possibility of the Brethren clarifying once and for all the policy on caffeine, thus banning Diet Coke. Production of Mormon fiction would grind to a halt within just three or four hours.

SH: What’s your next project?

WM: A tragic, YA historical novel featuring Mormon sleeper agents and bad guys with facial hair that’s written as a series of tweets.

*Scott didn’t actually ask me these questions.

My personal favorite AMV posts at year 10

6.17.14 | | 6 comments

Back in 2009, I listed my personal favorite AMV posts — one for each of the co-bloggers. In honor of the 10th anniversary of the founding of the blog, I have updated that list. In some cases, items are the same as my post from 2009. In others, I have listed a new favorite. And the list has grown as new co-bloggers have come on board. William’s favorite post by each AMV blogger at this particular moment in time:

  1. Admin: Bradly Baird on the artifacts of LDS memory
  2. S.P. Bailey: The Things We Bring Home
  3. Tyler Chadwick: Thoughts Toward a More Thorough Treatment of Mormons, Mormonism, Literature, and Theory
  4. Kjerste Christensen: A Bibliography of Mormon Missionary Literature
  5. Harlow Clark: Gadianton The Nobler, Reflections on Changes in the Book of Mormon, Introduction to Textual Variants Part IV
  6. Laura Craner:
  7. Sarah Dunster: Addressing Issues on the Edge, and Ryan Rapier’s “The Reluctant Blogger.”
  8. Scott Hales: Twilight and the CleanFlicks Aesthetic
  9. Theric Jepson: The Hero’s Journey of the Mormon Arts
  10. Patricia Karamesines: The Rhetoric of Stealing God
  11. Jonathan Langford: Destiny, Demons, and Freewill in Dan Wells’s John Wayne Cleaver Books
  12. Kent Larsen: Why we need Mormon Culture
  13. Anneke Majors: Minerva Red
  14. Katherine Morris: “Bread of Affliction” and Cultural Self-Consciousness
  15. William Morris: The Radical Middle in Mormon Art: The Radical
  16. Luisa Perkins: Book Review: Global Mom
  17. Eric Russell:  In Defense of the Critics
  18. Mahonri Stewart: Of Prophets and Artists: A Household of Faith Or A House Divided?
  19. Eric Thompson: Half Faked

Thanks for 10 great years of AMV!

Liner Notes: Dark Watch

11.12.13 | | 4 comments

The fall 2013 issue of Dialogue went live yesterday to electronic subscribers. Print editions are in the mail (or will soon be). I’m delighted and a bit awed that this issue devotes more than 20 pages to my story Dark Watch–it’s my longest published story to date. The way I usually describe it is: post-apocalyptic Mormon fiction told in alternating second person.

Dark Watch began as 8 or 9 lines of verse hastily scribbled at least a decade ago, perhaps longer. It continued to percolate. I think I added a second stanza. At some point it turned into the beginnings of a story. Sadly, I can’t find the original source material nor the notes that transitioned it into a science fiction story. I can picture the scraps of paper in the faded manila envelope I had collected them in, but I can’t find that envelope. I can say this the initial image–one member of a couple watching a storm flow across a broken plateau, her spouse startling himself awake–is where it all began and made it all the way through to the final product. more

Part 2: You Say You Want a Creavolution? Well, You Know…

10.31.13 | | 5 comments
William_Blake,_The_Temptation_and_Fall_of_Eve

William Blake’s The Temptation and Fall of Eve

 

Part 1, wherein I muse upon the similarities between Darwinism and creationism, may be found here. In Part 2, I muse some more.

And yet . . . and yet. The longer I lived, the more I recognized that I had a tendency to settle into patterns of thought and behavior and into known, comfortable surroundings and not budge unless some act of God demonstrated to me that I could not survive—psychologically, at least—dramatic changes in conditions unless something gave. What had to give? Me. I needed to take another step outside my comfort zone and adapt to the new stresses on the old habitat. Based on my own desires for peace and quiet, I came to suspect that, barring a radical change in that Everlasting God whose power made and sustained Eden, the first breeding pair of hominids would likely have stayed in their garden stasis forever, all innocence and naked ignorance. Our own continued, expressed wishes for a return to the Peaceable Kingdom confirm how deeply that environment still interests us. So I suspect that had not some serpent of change appeared in paradise and coiled itself around Eve, triggering a sudden shift in direction for mankind and precipitating all that “sweat of the brow” stuff,  leading to the production of copious offspring capable of adapting to environments down through the generations, we might still be who we were—whatever that may have been.

Steven Pinker, an evolutionary psychologist, linguist and the author of The Better Angels of Our Nature, sees the Old Testament as a “celebration” of the kind of commonplace yet horrifying (to modern sensibilities) violence that characterized mankind’s behavior during early stages of its social evolution. more

Part 1: You Say You Want a Creavolution? Well, You Know …

10.30.13 | | no comments

This two-part post is from a chapter titled “Gardens” in my book Crossfire Canyon, under construction. I haven’t posted on AMV for a while and thought I’d run this out there.

As a reliable account of the origin of life on Earth, the Old Testament story of the Garden of Eden may itself stand only a hair’s breadth from being cast out of the paradise of credence. “It didn’t happen, couldn’t have happened that way,” scientists say as they pronounce the Eden story indefensible. Over the last century and a half, they have promoted science-based and evidence-supported stories to supplant the Creation Story: narrative strains of Darwinism and neo-Darwinism, the yet-developing evolutionary tale.

The degree of interchangeability between the two storylines could be framed as a boxing match between contraries—Creationism v. Darwinism—with each side claiming to have landed multiple knock-out punches. Or perhaps, given both sides’ claims to Higher Truth, the contention is more like a jousting tournament. Despite the pageant’s being over a hundred-and-fifty years old, sterling knights on either side continue to try to unhorse each other, resulting, at times, in such heated language as to lay the nobility of both sides open to doubt. Rampant name-calling and disrespecting of persons abound, along with the dusting-off-of-feet on each other’s narrative grounds. more

Announcing The AMV Guide to Mormon Literature

8.20.13 | | 7 comments

It seems to me that Mormon literature as a field is difficult to approach. Unless you are one of the few who have the chance to take the Mo-lit class at BYU, there’s no real easy way to get an overview of the field. This makes it difficult to enter into the conversations that happen here and at Dawning of a Brighter Day and elsewhere. Some of these conversations have been going on for a long time, and it’s hard to know how and where and when to jump in. I aim to change that in a low-key, non-scholarly way.

Here’s the plan:

I am going to write The AMV Guide to Mormon Literature. I’m going to do so by writing short entries on a variety of topics in Scrivener, which is a fantastic tool for dealing with lots of information and allows one to easily output writing in a variety of forms. I will post each entry as it is complete to AMV and ask for feedback. I’ll then do a brief edit of the entry based on the feedback and move on to the next topic. When I hit the point where I’ve covered everything that needs to be covered (with the caveat, of course, that there could always be more), I will then compile the whole set of entries in Scrivener, add a simple cover, and publish the complete guide as an ebook which I will then offer for sale through the standard channels. Profits from the sale of the book will go to pay for web hosting for AMV, Wilderness Interface Zone and LDS Cinema Online.

While this guide will be my (personal) voice, my (radical-middle) concerns, and my (idiosyncratic) perspective, I will also welcome feedback on each entry that I post. Anyone who provides it will be added to a list of co-conspirators that will be published at the back of the book. more