In his Sunday morning session address from the April General Conference, President Uchtdorf spoke about love. Titled “You Are My Hands,” it was a great talk delivered wonderfully, which is what we have come to expect from him. I want to call out one line in the talk that, paradoxically, affirmed for me the importance of [...]
To celebrate the liberation of Dialogue’s archives from the clumsy format they were previously in*, I thought I’d pull out a few pieces of Mormon literary criticism for AMV readers to download and peruse. There’s some excellent stuff there, and the virtue of the PDF format is that one has the piece in a self-contained [...]
So now that I’ve explored the origins of the term radical middle in relation to Mormon arts and culture, and teased out some of the issues related to the middle, it’s time to get radical. In the first post, I mentioned a radical movement in British Islam and noted the adjectives (creative, positive, revolutionary …) [...]
The middle is an appealing place to be albeit a difficult place to define and defend. And it brings with it its own dangers. By very definition it relies on other operative ideologies and is thus too often reactive. By inclination, as I mention in the first post, it tends to be wish-washy and self-conscious [...]
Several months ago Theric asked me to define the radical middle — this term that I and others at AMV have been throwing around. More recently, Association for Mormon Letters President Boyd Petersen invoked the same phrase in his inaugural post on The Dawning of a Brighter Day. I’m hesitant to write manifestos or get [...]
I kinda owe Shannon Hale an apology. I read The Actor and the Housewife: A Novel several months ago and then didn’t write a post about it.
That’s actually not why I owe her an apology. I wouldn’t presume to suggest that I should say something about everything even slightly Mormon related that hits the public [...]
The Wall St. Journal has attempted to cause a minor literary ruckus with an opinion piece by Lee Siegel titled “The End of the Episode.”Siegel, borrowing his intellectual argument from British philosopher Galen Strawson, argues that the narrative — “straightforward storytelling style connects events together in one continuous thruline whose fundamental purpose is to reveal [...]
Yesterday I raised the issue of literary critics (especially those who also write fiction) and pride, in the process laying out how the main ways that critics engage with works and authors sometimes (often?) do so out of pride. The subsequent discussion has been excellent, with several commenters offering some good solutions to the problem [...]
