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The Radical Middle in Mormon Art: The Radical

1.21.10

So now that I’ve explored the origins of the term radical middle in relation to Mormon arts and culture, and teased out some of the issues related to the middle, it’s time to get radical. In the first post, I mentioned a radical movement in British Islam and noted the adjectives (creative, positive, revolutionary …) [...]

The Radical Middle in Mormon Art: The Middle

1.20.10

The middle is an appealing place to be albeit a difficult place to define and defend. And it brings with it its own dangers. By very definition it relies on other operative ideologies and is thus too often reactive. By inclination, as I mention in the first post, it tends to be wish-washy and self-conscious [...]

The Radical Middle in Mormon Art: Origins

1.19.10

Several months ago Theric asked me to define the radical middle — this term that I and others at AMV have been throwing around. More recently, Association for Mormon Letters President Boyd Petersen invoked the same phrase in his inaugural post on The Dawning of a Brighter Day. I’m hesitant to write manifestos or get [...]

Why I haven’t posted about The Actor and the Housewife

12.01.09

I kinda owe Shannon Hale an apology. I read The Actor and the Housewife: A Novel several months ago and then didn’t write a post about it.
That’s actually not why I owe her an apology. I wouldn’t presume to suggest that I should say something about everything even slightly Mormon related that hits the public [...]

Episode vs. Narrative and the false choice of Huck or Ames

8.05.09

The Wall St. Journal has attempted to cause a minor literary ruckus with an opinion piece by Lee Siegel titled “The End of the Episode.”Siegel, borrowing his intellectual argument from British philosopher Galen Strawson, argues that the narrative — “straightforward storytelling style connects events together in one continuous thruline whose fundamental purpose is to reveal [...]

Literary critics and pride, part II

7.30.09

Yesterday I raised the issue of literary critics (especially those who also write fiction) and pride, in the process laying out  how the main ways that critics engage with works and authors sometimes (often?) do so out of pride. The subsequent discussion has been excellent, with several commenters offering some good solutions to the problem [...]

Literary critics (who write fiction) and pride

7.29.09

Pride was the theme of my ward’s sacrament meeting last Sunday. As you might expect Pres. Ezra Taft Benson’s landmark talk on pride was quoted by all four speakers. The talks were quite good and there there was a nice flow to the meeting. In particular, the two adult speakers did a good job of [...]

James Wood on religion and fiction’s “not quite”

7.22.09

I recently read The Broken Estate: Essays on Literature and Belief by James Wood. I enjoyed it quite a bit even as I disagreed with some of his emphases and tone. In fact I would recommend it over his more recent book How Fiction Works (which I discussed last year).
In particular, I like that he [...]