I’ve written before about the once great status of Mormon theatre, and the infrastructure it once enjoyed. So I was pleased to find comments about the beginning of this infrastructure from Horace G. Whitney, longtime Deseret News editor-in-chief and the paper’s drama critic. In my opinion infrastructure, broadly conceived, accounts for much of what has happened in Mormon drama over the past century. Whitney, in the article below, describes a vision of how drama could operate under the MIA and ward amusement committees (which were roughly the equivalent of the recently disbanded ward activities committees, I assume).
If you look at Mormon Literature in terms of how many church members interacted with it—i.e., how many members were involved either in its production or its consumption—one literary form was likely the King of Mormon Literature from the 1930s through perhaps 1970: Drama.