Flowers of Grace, Mormon writerÂ Teresa Hirst’s first work of fiction, was published last month. Here’s the basic pitch for it: “Set in an upscale St. Louis boutique amid a fragile economic climate when retail customers are trading brick and mortar stores for online shopping, Flowers of Grace is a story of love and loss, friendship and forgiveness.”
There is no specifically Mormon content to it, but it interested me thematically so I figured the best way to approach things was to have an email conversation with Teresa about it.
Teresa lives in Minnesota with her husband and children.Â She has worked for a newspaper, in public relations, and as a freelance writer and editor. Her nonfiction bookÂ Twelve Stones to Remember Him: Building Memorials of Faith from Financial CrisisÂ was published by Walnut Springs Press in January 2014. And for a short while, she and I hadÂ LDS Public Affairs callings here in Minnesota at the same time.
My part of the conversation is in bold. You can learn more about the novel and Teresa at her author website.
As you began to outline/write the first draft of Flowers of Grace, what were the themes, images, characters that were most insistently inserting themselves into the process? Do you have any idea why they were on your mind?
Your question took me to a gray three-inch binder which houses the early workings of Flowers of Grace. In this crush of papers (they are not all neatly tucked into the three rings) I discovered several clues to answer your question including one of the first pages from my writing process. On this paper, I have the names of three women characters at three stages of life with a collection of words surrounding them that describe their personality, goals, weaknesses. The pencil marks, different colors of ink and stains on the page show that I collected these over time. The second clue was a handful of cards with names of secondary characters with similar character development. These reveal to me, as they most likely propelled me forward then, that this work would be a character-driven novel with the plot developing out of their relationships. All but one were women. As I began to put them together, I could sense the tangle of divisiveness that often occurs in a setting of women as well as the strength that can also develop. These opposing love/hate relationships among women pressed upon my own story. I also found clues to another theme that was inserting itself into the process. My main character’s name, Grace, was different in these original scribbles. Although my intent was not to introduce a spiritual theme, somewhere along the way, in this collection of dynamic personalities, I had added a copy of words to a song written by Patricia Holland called “A Woman of Grace”. There is a phrase in the song, “A woman of grace knowing God compensates.” Before I knew how this mesh of both internal struggles and external conflict would end for the main character, I knew I would change her name to Grace. Continue reading “Flowers of Grace: a conversation with Teresa Hirst”