Givens, Terryl and Fiona. The Crucible of Doubt: Reflections on the Question for Faith. Salt Lake City: Deseret Book, 2014. 168 pages. $19.99 in hardback, $11.99 Kindle. Reviewed by Jonathan Langford.
Back in 2012, Ensign Peak (an imprint of Deseret Book), published The God Who Weeps, also by Terryl and Fiona Givens, which I described in an earlier review as both “explain[ing] to non-believing readers just why Mormonism might reasonably appeal to intelligent, thoughful people” and issuing to potentially doubting Mormons “an implicit invitation and challenge not to leave the LDS Church without spending some time thinking about what the Church teaches and the value those teachings may have.”
The current volume is clearly intended at least in part as a follow-up to that earlier book. And yet the two are quite different, in several important ways. Unlike The God Who Weeps, The Crucible of Doubt both is more overtly directed toward members of the LDS Church (hence, perhaps, its lack of the Ensign Peak imprint?) and more specifically addresses potential sources of doubt that may trouble such readers. As such, the style is more personal and direct, the tone less abstract, though still both conceptually broad and intellectually rewarding. To illustrate what I mean, compare the following two quotes, both chosen at random by flipping open the two books:
“Most human hearts, we find, are made of penetrable stuff. Several catalysts to change open to our possible futures” (The God Who Weeps, p. 85).
“If God can transform cosmic entropy and malice alike into fire that purifies rather than destroys, how much more can He do this with the actions of well-intentioned but less-than-perfect leaders” (The Crucible of Doubt, p. 79).
The God Who Weeps cites a broad combination of poets, novelists, theologians, and other noteworthy writers from across and even beyond the Christian tradition; The Crucible of Doubt is equally quote-laden, but with more of an emphasis on Mormon leaders. Where The God Who Weeps summarizes its argument in five clear propositions, each spelled out in the Introduction and expanded upon in a later chapter, The Crucible of Doubt refrains from self-summarization. The God Who Weeps uses a chatty, less formal endnote format to cite its sources; The Crucible of Doubt employs standard endnotes. Continue reading “A Personal and Rhetorical Review of The Crucible of Doubt“