So, I finished Eric Jepson’s novel, BYUCK. I found it hilarious, heartwarming, and refreshing. The description of BYU (and Happy Valley) culture from the perspective of someone who wasn’t bred and born in it, who could therefore look at it from an outsider’s perspective, delighted and amused me. As I read the story, I remembered my own bemused feelings entering happy-valley culture for the first time. And I breathed a deep sigh of relief that I do not live in Provo anymore.
It also brought memories of a story I wrote about six or seven years ago that was very similar (not in writing quality, but in subject matter, characters, setup.) Nobody has read it except for my family and the editorial board at Covenant, who eventually tabled and then rejected it, saying the audience was too narrow for them to spend money to publish it. I’m grateful for that now, because it wasn’t very well written and I needed the time to learn how to write properly before critics got at it.
But I found myself wondering, after I finished BYUCK, and as I looked back on the experience with Covenant: where is the place for that sort of writing; for the works of LDS writers writing about our LDS culture? And where is that sort of writing going, now that things are changing so drastically in the industry? Could this sort of writing appeal to a general, not just LDS audience, and how would we accomplish that?
There are some stories that are more narrowly focused on an LDS audience (and I’d argue BYUCK is an example of that; inside jokes only Mormons would get, mormon dialect, etc). There are some one could argue might appeal to a broader audience–Moriah Jovan’s Magdalene, Steven Peck’s Scholar of Moab. Â But would they?
I’m wondering, too. What if something amazing, and literary, and focused entirely within the LDS experience (aka the Great Mormon Novel) would be considered even generally marketable by anyone. What if someone did write something along the lines of Potok’s works. Would anyone read it (and of course, *we* would. But would anyone beyond the world of LDS lit advocacy read it?)
I was thinking about how in general, people who consume LDS fiction are looking for an uplifting story that will make them feel better about their life and the challenges of being LDS in a world that’s not too kind to us. That’s often why I read it. I want an inspiring story about pioneers, or an uplifting romance (guilty) or something that makes me laugh at and love the absurdities of my culture and my life (like BYUCK, or Joni Hilton’s work).
And when we look at the audience for literary fiction, there are other issues. Is Mormonism really taken seriously enough, considered fascinating enough, to be a worthy subject of study? In general I feel like religion is out of vogue in the literary world. Maybe that’s pessimistic of me.
My question is, where is our audience? Do we have to channel things in a commercial direction, create the sorts of plots LDS readers will enjoy, in order to feed them some more complex and even controversial stuff? And if we’re trying to write to a general audience, what do we have to do to make it consumable to that audience? What have others done? Â What are some success and failure stories?