The other day, I woke up and wound up writing — well, this. And so I decided that I might as well share…
Science fiction as a genre has a high and holy calling of engaging us in dialogue with science, the future, and technological change (corresponding to fantasy’s calling to engage us in a dialogue with history, mythology, and the unconscious, but that’s a topic for a different essay). Like most such callings, it is a potential caught mostly in glimpses, seldom if ever fully realized. Yet for all the protestations one hears of simple storytelling with no pretense of oracular or legislative responsibility (Shelley notwithstanding), it is a vocation pursued with remarkable persistence by most of the genre’s writers and never really forgotten by the bulk of its readers. (I speak now of literature. Movies are a different thing entirely.)
Continue reading “The Appeal of Science Fiction for (Some) Mormons”
I have two updates in relation to the Mormon alternate history anthology I’m editing.
With Monsters & Mormons the name came first and the commitment to doing the actual anthology later so it was clear what to call it. With this one, I’ve been bouncing various ideas off of Theric and none have really worked until now (that’s why in the call for submissions, there’s no title stated). But I think I finally have it: States of Deseret will be the name of the anthology (unless I change my name between now and publication [but I don’t think I will–I like this one]).
I am reading them. Thanks again to all those who submitted. I hope to have my initial read through completed by the end of the month and then responses to everyone in the latter part of May. Thanks for your patience. I know it’s not fun to wait.
AMV’s about page is very upfront about the inbred nature of the current Mormon-arts community, but this post seems to require a direct reminder of the fact.
The new online miniseries Adam & Eve is written and directed by Davey and Bianca Morrison Dillard. They were both early joiners of New Play Project, which began life as “mere” student works, yet gained acclaim, gathering words like renaissance and breakthrough and baby-this-is-the-future. It didn’t hurt that established playwrights like Eric Samuelsen and Melissa Leilani Larsen, and Mahonri Stewart were seduced by all this young blood and provided additional work for them to produce. No doubt, NPP, while it lasted, was a marvelous thing, and everyone involved deserves fond memories of their own and long memories of ourn.
My intimacy with NPP began with Davey approached me about publishing a collection of NPP work. I had a couple stipulations but was largely hands off, and the thing came out almost six years ago now, if you can believe it. Among the short plays included in the collections was Davey’s “Adam & Eve.” It was his first attempt at playwriting. One of his better NPP plays. And, apparently, has not unclutched him ever since as it appears now in serial film form as “Adam & Eve.”
[keep reading] Continue reading “Adam & Eve in 2016″
Having two new visitors swing by AMV to engage on a single post doesn’t happen as much as it used to. And so their desire for more of my notes regarding the Studio C fireside seem worth heeding.
That said, if you’re new to Motley Vision, look around a bit! Here’s a brief smattering of posts from the past few months—promise me you’ll click on at least one (they’ll open in a new tab):
Okay. Now that that’s open and waiting for you, let’s go on, shall we? Continue reading “We Came to Earth to Fail
the deluxe Studio C fireside recap”
I try to keep up on the what’s-what in Mormon comics, but I didn’t even hear about Brittany Long Olsen until she was getting interviewed by Andrew Hall, followed by her book getting serious attention from the AML.
Which book, by the way, deserves that attention. Dendo is the erstwhile Sister Long’s day-by-day comics record of her mission in Japan. By its gradual accumulation of small moments, both highs and lows—by relentlessly capturing the mundanity of mission life, she accomplishes the truly epic event that is a proselyting mission for the Church of Jesus Christ of Latter-day Saints. I’m not a huge reader of the missionary-memoir genre, but for my money, Dendo is the best out there.
(And, I should note, for your money as well.)
This is an interview I conducted with Brittany on March 2, 2016 (with slight edits to make us both look better).
Hello, this is Brittany.
Hey Brittany, this is Theric Jepson.
How are you?
Good, I’m good. How are you?
I’m great. Shall we start?
Okay, so the first question I wanna ask you is: Dendo seems to capture missionary experience a lot more universally than you seemed to expect. Is that—
Oh yeah? Continue reading “There and back again—
then onward ever onward
a chat with Dendo‘s Brittany Long Olsen“
Note: don’t forget your Saturday deadline!
It’s just down the 880 from me, but somehow I’ve never heard of the Silicon Valley Comic Con and so I didn’t know this was happening:
And because I somehow finally managed to unsubscribe from the golf-for-MBAs-laden BYU Alumni email list, I didn’t know about this either:
But Mormons morming as well as they do, I heard about both. And my kids were insanely excited to drive over to Temple Hill this evening to see their current favorite YouTubers. (This is a lie. Their actual favorites are these guys.)
I knew about Studio C when they were nascent, by which I mean I knew they grew out of Divine Comedy. But when I was at BYU, there were so many comedy troupes one tended to pick favorites and feel loyal. I picked Garrens because they were defunct and so cost me very little in time or money. And so, you know, screw Divine Comedy.
This disinterest was a bit embarrassing when I was at a movie-meeting-thingey and the biggest person in the room suggested Mallory of Studio C to play Ref. I . . . had no idea who they were talking about. After they flew me home, I watched all of Mallory I could on YouTube and agreed she should at least be auditioned. Then the whole thing fell apart la de la da and that was the last I thought about Studio C until Scott Sterling took the world by storm. My kids loved Scott Sterling and a month or two ago it occurred to them to watch more Studio C. Since then, it seems that’s all we watch together.
Anyway. 269 words and we still haven’t arrived in Oakland. Let’s go, shall we? Continue reading ““Sometimes in the arena you look really stupid.”
a report from the Studio C fireside”
NOTE: the deadline has passed and submissions are now closed.
Just a reminder that submissions for the Mormon alternate history mini-anthology I’m editing are due by end of the day Saturday, March 19. End of the day = midnight Pacific Daylight Time. Although I won’t be up then so if it’s in my inbox when I check my email Sunday morning, it’ll be okay. Be warned, though, that I have to get up for church meetings, and I’m on Central Time so it’ll be early Sunday morning (plus, it’s the Sabbath, then: Saturday is a special day — it’s the day we finish stories that feature Mormons in alternate historical timelines).
If you haven’t even started writing yet, don’t despair. There’s still time! A 1,500 words flash piece or even a 3-4k short story can easily be written in a day or two or four. So get to it!
Short on ideas? Here’s where you can get some:
Good luck! I eagerly await your submissions.
Those of you with excellent memories or a fetish for reluctant bloggers may recall that two years ago today I posted, simultaneously here at AMV and over at MMM and at the AML blog, three takes on Ryan Rapier’s then recent novel. In writing this post, I’m intentionally not reviewing those reviews, but I suspect if you added them up and divided by three you would get a moderately negative take. And if I were to reread them now, I would probably remember all the things I complained about and I might lose my way in this remembrance of the novel.
See, for all its flaws of structure and point of view, I still think about the characters of The Reluctant Blogger all these years later. I think mostly of the protag’s father’s second marriage and of the pain the protag causes his love interest. These things—or, rather, these people are still with me. I think of them regularly.
And, in my opinion, the most important aspect of good fiction is characters who live on in the mind. It’s why Jane Eyre might be my favorite novel. Because I still think about Jane. I love Jane. She’s, like, my very good friend.
And The Reluctant Blogger also provided me with new friends.
So with that in mind, regardless of whatever I’ve said in the past, I recommend it.