Mormon Artist Magazine interviewed me for their latest issue (Issue 10). You can find my interview here.
Mormon Artist Magazine Literature editor and fellow AMVer Katherine Morris suggested I post here at AMV questions and answers cut from the interview. So, for your reading pleasure:
There also seems to be an underlying theme of agency in your [...]
This evening is the annual Young Women’s meeting (which I always associate with General Conference), and General Conference itself begins next week. Over the past few years I’ve come up with a few things that I focus on as I listen to each Conference, in addition to the messages, and I’m now wondering:
What do you [...]
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This is not my review of Elna Baker’s new book. This is an accident. I read her first chapter then nine minutes later gave birth to a healthy essay. This sort of thing can happen, even with virginal New York Mormons like Elna. I promise I will do whatever it takes — count to 100 [...]
Of Speaking the Truth, Scapegoats, and Absorbing the Rhetoric of Blame
(A Review Essay of Shattered Silence: The Untold Story of a Serial Killer’s Daughter)
Author(s): Melissa G. Moore with M. Bridget Cook
Publisher: Self-published through Cedar Fort, Inc. (Springville, UT)
Release date: 8 September 2009
I. Speaking the Truth
I must begin this review essay, which I had great difficulty [...]
Since I’ve been thinking more lately about responsible rhetoric and what my language does once it leaves my mind and my mouth, I’ve noticed a number of Mormon cultural instances in which language has been used by leaders/teachers in what I consider reckless ways. Hence this series of Airing the Rhetorical Laundry posts, which I [...]
I’m teaching the Elders’ quorum this Sunday coming and the phrase I keep returning to in my pondering is “watch over, be with, and strengthen” (ref). In context, of course, this phrase refers to the teacher’s duty, as an ordained member of the Aaronic Priesthood, to build and sustain the Church, to help hold the [...]
I took this out for a test run on my blog a couple of weeks ago, but thought it could bear repeating here because I’m interested in your thoughts. And I’ve got some more musings on Mormon rhetoric I’m planning to post tomorrow (due to their time sensitive nature—you’ll see), so stay tuned.
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This is the first part of a series I’m writing on New Play Project, the most interesting and promising Mormon theater group to arrive on the scene for many years. Following installments will include:
Part Two: Little Happy Secrets: A Milestone in Mormon Drama
This piece will discuss on the significance of Melissa Leilani Larson’s groundbreaking play, which artistically put New [...]