BYU Studies Quarterly just published my review essay on two recent poetry collections: Susan Elizabeth Howe’s Salt (Signature Books, 2013) and Lance Larsen’s Genius Loci (University of Tampa Press, 2013). Both collections are well-worth your time and they sustain and reward multiple readings. Here’s an excerpt, right from the middle of my review, to whet your lyric appetite:
Mormon theology demands that in all we do—language-making included—we attend closely to the environments we inhabit. “Consider the lilies of the field,” Christ said in the Sermon on the Mount, then again in his sermon at the Nephite temple and to Joseph Smith in Kirtland. His utterance, reiterated across dispensations, calls his disciples to rely on his grace as they seek to build Zion: “You’re worried about where you’ll get your next meal?” he seems to ask. “How you’ll quench your thirst and clothe your nakedness? Well, look closely at the lilies. See how their relationship with the earth sustains their growth? They root in rich soil. They withhold their presence and their beauty from no one. They consume only as their needs demand and what they produce contributes—even in death—to the health and constant renewal of their environment, to which the species readily adapts. Can human institutions, which are prone to excess, say the same of themselves?
“Live, rather, like the lilies.”
Howe, it seems, has taken this imperative to heart (though perhaps not directly via Christ’s statement), using her poiesis as a way to sustain the world and to draw out her presence—as well as her readers’ presence—therein. Poet and professor Lance Larsen, who (like Howe) teaches at BYU, seems to have responded likewise, although the places he inhabits in his fourth poetry collection, Genius Loci, are more directly mobile than those Howe inhabits in Salt. Salt‘s geographies and the people and creatures who populate them are essentially in motion. But a persistent concern in Genius Loci is what it means to live in a world that doesn’t hold still—scratch that: not just to live in a world that doesn’t hold still, but to be fully present in that world.
You can read a PDF copy of the full review essay on the flipside of this link.
Title: The Agitated Heart
Author: Scott Bronson
Publisher: ArcPoint Media, Orem, UT
Year Published: 2015
Number of Pages: 201 (but only about 40,000 words)
Price: $12.99 from Amazon.com
Also available as an ebook
Reviewed by Jonathan Langford. (Electronic review copy received from the publisher.)
This is a story that I’ve been waiting a very long time to read. Fifteen years at least, since I first started hearing about it under its original title “The Whipping Boy.” It’s good, people told me. The best unpublished story in Mormon literature. It’s a mystery why no publisher has ever picked it up.
Thanks to Scott Parkin’s ArcPoint Media and to Scott Bronson’s own persistence, that long wait is now over. And I have to say: the story pretty much lives up to its hype — with some quibbles that I’ll get to later.
(And now I have to stop and say that there will indeed be spoilers. Because I can’t possibly review this story the way I want to do without referencing the ending. Not that the ending is a particular surprise; it’s foreshadowed for essentially the entire story, and if hearing about the ending puts you off, you probably aren’t someone who should read this book. Just saying.)
Continue reading “A Worthwhile and Long-Awaited Story: The Agitated Heart, by Scott Bronson”
In my last installment, I mentioned my skepticism about a Mormon literary esthetic. I’ll start this round by explaining in more detail my reasons for that skepticism.
Differing values are relatively easy to come by. Differing stylistic preferences likewise. What group doesn’t vary within itself — often widely — in the personal styles of its members? Within my own immediate family, there are those who are melodramatic and those who are reserved; those who crave excitement and those who prefer contemplation; those with a taste for the subtle and those who like the blatant. (But no one who likes rap.)
A distinctive group esthetic is a rather taller order to fill. A distinctive esthetic, it seems to me, extends beyond differing preferences to become almost a different symbolic language, where words and phrases and characters and stories mean something different to those inside the group than they can ever possibly mean to those outside the group. Outsiders, by and large, don’t “get it.”
Continue reading “Is There a Distinctive Mormon Literary Esthetic? Part Two”
I feel pretty confident in asserting, without further evidence, that I find myself in a relatively small number of people who wake up on a Saturday morning thinking about questions of Mormon literary criticism. Possibly almost as small a number as those who might read the fruits of such questioning. (But only possibly.) Still, it is the nature of the essayist to find oneself compelled to write. And so…
Throughout most of Mormonism’s literary history (such as it is), there has I think been little evidence of Mormons taking pleasure in or valuing a different kind of literary experience than what is valued in larger (mostly American) culture. Home literature, missionary fiction, lost generation fiction, faithful Mormon realism — all find close corollaries and even direct models in the larger writing universe.
Continue reading “Is There a Distinctive Mormon Literary Esthetic? Part One”
Ever since Scott Hales announced his plans to edit a new anthology of Mormon literary criticism, I’ve been thinking off and on about my own past grapplings with Mormon literature and where I’d want to take them — had I world enough, time, money, and the requisite academic chops. What follows isn’t that essay, but comes about as close as I can manage at present. Consider this my submission!
Why do or should we — as readers, writers, and/or literary critics — care about whether a text is Mormon? Potential reasons are legion, as varied as readers themselves. Among the most typical and (it seems to me) important are the following:
- To understand Mormonism better — as a culture, religion, historical movement, or what have you
- To investigate specific elements of Mormon experience, thought, and culture through literary works
- To explore the purpose(s) and role(s) of literature in Mormon experience and worldview
- To articulate ways that literature has influenced Mormonism
- As a test case to investigate the interrelationships of literature and religion, literature and identity, literature and culture, and a host of other potential intersections
- To understand better particular literary works that incorporate manifestly Mormon elements
- To assert our own membership (or non-membership) in the Mormon community
- To explore what it means to be Mormon and a reader, Mormon and a writer, or Mormon and a critic
- To seek out and encourage literature we think is worthwhile, in whatever particular relationship to Mormonism we endorse: celebratory, investigatory, critical, or other
Continue reading “Parsing the “Mormon” in Mormon Literature”
Title: Wandering Realities: The Mormonish Short Fiction of Steven L. Peck
Author: Steven L. Peck
Publisher: Zarahemla Books
Genre: Short Story Collection
Year Published: 2015
Number of Pages: 219
Binding: Trade Paperback
Also available as an ebook
Reviewed by Jonathan Langford.
Steve Peck is an alien. A kind of geeky-looking one (wholly appropriate for a professor of evolutionary biology), friendly, congenial, but an alien nonetheless. Thatâ€™s the only explanation I can come up with for how, in this set of 16 stories, he so consistently manages to provide such startlingly different, yet at the same time deeply insightful, perspectives on the culture and religion he has adopted for his own.
Which is about the only thing these stories â€” which range from short to long, humor to pathos, realism to postmodernly zany, contemporary to historical to science fiction â€” have in common. Eight of them have been previously published, in venues ranging from Irreantum to Covenant to the Everyday Mormon Writer contest. Yet the effect is not incoherent. Rather, it provides a sense of the range of Peckâ€™s work, which includes something that will, I guarantee, appeal to pretty much everyone with the slightest interest in reading fiction about the Mormon experience: highbrow or lowbrow, literary or popular, funny or serious, light or thought-provoking. Itâ€™s pretty much all here. And while not every story is equally polished, each provides something interesting and (hereâ€™s that word again) different.
Continue reading “Things Rich and Strange: Mormonism through the Lens of Steve Peck, a Sympathetic Alien”
I think this accurately captures what we all want:
AÂ novel about active Mormons written by an active Mormon is placed before a national audience where it makes a notably broadÂ impact on discourse.
That first half has precedent:Â Heaven Knows Why!, Saints,Â The Actor and the Housewife, a number of other big-house and indie titles—the second half, I can’t really think of anything that qualifies. But my memory is short and I’ve missed obvious exceptions to sweepingÂ judgments before, so please note my errors below. (At any rate, certainly no such novel has sold in Da Vinci Code numbers.)
But even were there a dozen such novels, we would still feel like the race is yet being run. The latest person to near the finish line is Mette Ivie Anderson with her novel The Bishop’s Wife.
In the posts I’ve posted am posting will post on this novel, I harbor an undercurrent of hope that she will win. Even though I have my complaints and uncertainties regarding minor aspects of the book, I think this is a terrific novel in terms of representing What Am Mormon. Besides, unlike much of the competition, Harrison’s novel is backed up by a serious marketing campaign.
If The Bishop’s Wife is a hit, what sort of conversations might you have with the folks at the rec center? Continue reading “Has Mette Won the Race?”
Now that the busyness of Christmas has passed and the final performance in the 2nd Annual #MormonPoetrySlam has posted (see the event archive here), itâ€™s time to determine the winner of the Audience Choice Award. For your consideration and reviewing pleasure, here are the eighteen entries, listed in order of appearance (you may need to hit “Read next page” at the bottom of the Storify to review all of eighteen).
To get straight to voting, click here. Continue reading “Let the 2nd Annual #MormonPoetrySlam Voting Begin!”