Earlier this year, Kent posted about the potentially increasing demand for MoLit classes. I mentioned in response to Kent’s post that I thought “an open access, online Mormon lit is very doable and would be welcomed by many people” and that I would post some ideas for building such a course. Soon thereafter, I created a Google Doc and started an outline of questions to consider.
While I was prepping my fall semester courses (three first-year writing and one intro to lit: all online), looking around for ways to best take my courses into the wild (as it were), to build them outside of institutional walls, beyond the limits of learning management systems, that document came to mind. So I called it out of my Google Drive, updated it with some additional questions (including several I asked in response to Kent’s September 2012 post, “An Online Mormon Literature Course?“), and decided to (finally) public share it with AMV’s community. I’m doing so for two reasons: 1) to get some feedback on how potential course-users would like to see the course structured and delivered and 2) as an interest gauge to see how many people would participate in the course. I’d like to have your feedback and the interest gauged in the next fortnight or so. The next step would be—dare I say it?—to begin building the course. more →
Last week Kent asked AMV readers to consider what would make a Mormon theory of literature different. I could be wrong, but I’m assuming that his points of comparison—his different than—are general theories of literature as well as the theories of literature practiced in the Mormon Letters community. In response to Kent’s query, to the responses it received, and to some other things that have been written in the past two years or so about the relationship among Mormons, Mormonism, literature, and theory, I’m developing some ideas on this relationship and the ways it has been theorized by members of the Mormon letters community; as I develop them, I’ll further address some things that I think are vital to this relationship and how it functions as a critical apparatus. I offer the incipient thoughts that make up this post in earnest of the more thorough treatment I’m composing. My primary focus in this brief discussion is to outline the ways theory and Mormonism get talked about in Kent’s post and its thread of responses (at least those made up to Jonathan’s 2/10/14 reply).
I see reference to at least three kinds of theory in the discussion: theories of Mormon literature, theories of Mormons and literature, and Mormon theories of literature. While I plan to elaborate more on these kinds of theory as I develop a more extensive response, for now here’s how I distinguish among them: more →
I’ve been listening to course lectures from a Theory of Literature course by Paul Fry of Yale University available through Apple’s iTunesU. If nothing else I hope that by carefully working through these lectures I can work through my inadequacy in discussing some aspects of literature. But I also hope that the course will help me organize what I’ve found in my “Sunday Lit Crit Sermon” series.
The course is fascinating and entertaining (at least to me)—I wish I had somehow managed to cover this material years ago. It has led me to ponder a bit about where Mormons are in terms of literary theory. We’ve explored the ideas of Mormon criticism and Mormon theory of literature here on AMV a little, but I’m not sure that, outside of the idea of Wm’s “radical middle,” we’ve come up with anything particularly unusual—although we’ve certainly argued, as Mormons tend to do, about the details of things like the role of evil in literature and the presence or absence of sex, profanity and violence in literature. We certainly haven’t outlined any theory of literature or even discussed what structure such a theory would need. I’m not even sure yet if anyone has talked much about literary theory from a Mormon viewpoint1.
Part 1, wherein I muse upon the similarities between Darwinism and creationism, may be found here. In Part 2, I muse some more.
And yet . . . and yet. The longer I lived, the more I recognized that I had a tendency to settle into patterns of thought and behavior and into known, comfortable surroundings and not budge unless some act of God demonstrated to me that I could not survive—psychologically, at least—dramatic changes in conditions unless something gave. What had to give? Me. I needed to take another step outside my comfort zone and adapt to the new stresses on the old habitat. Based on my own desires for peace and quiet, I came to suspect that, barring a radical change in that Everlasting God whose power made and sustained Eden, the first breeding pair of hominids would likely have stayed in their garden stasis forever, all innocence and naked ignorance. Our own continued, expressed wishes for a return to the Peaceable Kingdom confirm how deeply that environment still interests us. So I suspect that had not some serpent of change appeared in paradise and coiled itself around Eve, triggering a sudden shift in direction for mankind and precipitating all that “sweat of the brow” stuff, leading to the production of copious offspring capable of adapting to environments down through the generations, we might still be who we were—whatever that may have been.
Steven Pinker, an evolutionary psychologist, linguist and the author of The Better Angels of Our Nature, sees the Old Testament as a “celebration” of the kind of commonplace yet horrifying (to modern sensibilities) violence that characterized mankind’s behavior during early stages of its social evolution. more →
This two-part post is from a chapter titled “Gardens” in my book Crossfire Canyon, under construction. I haven’t posted on AMV for a while and thought I’d run this out there.
As a reliable account of the origin of life on Earth, the Old Testament story of the Garden of Eden may itself stand only a hair’s breadth from being cast out of the paradise of credence. “It didn’t happen, couldn’t have happened that way,” scientists say as they pronounce the Eden story indefensible. Over the last century and a half, they have promoted science-based and evidence-supported stories to supplant the Creation Story: narrative strains of Darwinism and neo-Darwinism, the yet-developing evolutionary tale.
The degree of interchangeability between the two storylines could be framed as a boxing match between contraries—Creationism v. Darwinism—with each side claiming to have landed multiple knock-out punches. Or perhaps, given both sides’ claims to Higher Truth, the contention is more like a jousting tournament. Despite the pageant’s being over a hundred-and-fifty years old, sterling knights on either side continue to try to unhorse each other, resulting, at times, in such heated language as to lay the nobility of both sides open to doubt. Rampant name-calling and disrespecting of persons abound, along with the dusting-off-of-feet on each other’s narrative grounds. more →
At the beginning of 2012 when I decided to both increase my writing rate and focus on science fiction and fantasy, I wondered if I would continue to write Mormon fiction. I ended up writing quite a bit more than I thought I would — mainly because of the two Everyday Mormon Writer contests. But even so, the porportion of non-overt Mormon fiction to overt Mormon fiction that I produced last year was the most un-balanced ever (while at the same time my total word count was the highest ever). When 2013 arrived, I figured that I would cut back on the Mo-lit even more. But then a) I got an excellent idea for a story and b) I decided that I would tithe my creative energies and go ahead and write it.
We’ve discussed this idea in bits and pieces here and there over the years. I’d like to raise it again. I’m particularly interested in hearing from anyone who feels compelled to devote a certain amount of time to projects that speak directly to a Mormon audience.
I realize all the arguments against it: those in other professions aren’t required to tithe their labor, why should we? It’s hard enough to scrape by as an artist and Mormon work doesn’t sell. What if you just aren’t interested in Mormon-themed art?
I also don’t think it needs to be a 10% thing. For artists, especially writers, who make their living from their art, devoting 10% of what they produce in a year to Mormon-themed works that likely wouldn’t sell (or sell for much) seems crazy. Maybe it’s 1 in every 20 works or 100. Or 1 or 2% of a yearly word count. Or whatever.
Nor, in my opinion, does it need to be a tithe in the sense that we give it to the Church for free. If you can make money off it, awesome.
What if you already write Mormon fiction (or nonfiction) or create Mormon visual art? Then maybe your “tithe” should be for a different Mormon audience than you currently write for. Or in a different genre. Or in a more experimental mode. Or in a more devotional mode.
The bottom line for me is that I ‘d like to see more LDS who have artistic talent intentionally addressing Mormon themes/creating overtly Mormon work and see this as possibly a framework to encourage that engagement.
I have been super impressed with both Fiona and Terryl Givens, authors of the masterful (it’s not hyperbole, it’s that good!) theological work The God Who Weeps: How Mormonism Makes Sense of Life. In both their writing, and in the interviews I have heard/read them give, I have been inspired. Terryl Givens has rightfully received a lot of attention in the past for his previous books, but with this round of interviews for The God Who Weeps that I have read and listened to, I have also been super impressed with Fiona’s articulate voice, engaging ideas, and her powerful spirituality and identity. So I approached her about doing an independent interview, to which she graciously conceded. I was thrilled that she put the thought and care to engage in a long and fruitful interview. Lots of amazing stuff! Perhaps my favorite interview I have ever conducted, due to the time, thought, informed intelligence, and spirituality Fiona infused her answers with. So here it is:
MS: First, in a nut shell, tell our readers a little about yourself. About your conversion to Mormonism, your professional and literary background/ interests, your relationship with Terryl, your family, and anything else you would really like our readers to know about the intriguing Fiona Givens.
FG: I converted to the Church in Germany where I was working as an au pair during my gap year between graduating from New Hall School, where I had been head girl, and university. The preceding summer I had spent in earnest prayer, trying to divine God’s will for me and my future, as to that point, I had taken very little interest in it myself. The answers were totally unexpected and unanticipated. Shortly after arriving in Germany, I met a lovely lady with whom I became fast friends. I was happy that she liked to talk about God, as He was uppermost in my mind. Eventually she took me to her “church”–a gathering of people in a room on the second floor of a building. What I felt when I entered that sparsely attended meeting was something I had never felt before–a spiritual warmth that was inviting. And I was happy for the opportunity to learn more. That being said, I had no intention of leaving Catholicism, secure in its position as the longest standing Christian faith tradition.
However, the spiritual experiences that ensued in my conversations with the missionaries were nothing short of Pentecostal and I was eager to share my transformation with my family, who responded very much like Gregor Samsa’s family in Kafka’s Metamorphosis. The two years following my baptism were very painful. I had left in the detritus of my baptism not only a rich and vibrant faith tradition but my family, whom I had shaken to the core, wrenching their ability not only to comprehend me but to communicate with me. I had brought a rogue elephant into our family room. It is still there. The wounds are still palpable. However, due in large measure to the kindness and love of Priesthood leaders, my wobbly legs were strengthened and, amazingly, I did not use them to flee a still alien religion, an alien culture and alien language.
Through a set of miraculous circumstances I was granted a multiple entry visa to pursue a degree at Brigham Young. I met Terryl the first day of our Comparative Literature 301 class with Larry Peer. Terryl was seated on the back row. I was seated on the front. He was self-effacing. I was not. We were married a year later. He pursued a PhD in comparative literature and I pursued the raising of our children while taking a class a semester, when possible, to keep the little grey cells functioning amidst the barrage of babyspeak. more →
For some time I have looked for ways to promote Mormon literature — ways to put the idea of Mormon literature in front of the public. The best, or most resonant, of Mormon literature needs to become part of our culture in a way that makes at least some works familiar to most members. Getting there involves the long process of educating the culture. Many different ways of promoting literature will need to be used. We need Mormon literary figures on t-shirts and shopping bags. We need fantastic book covers of well-known works to be highly recognizable. We need scenes or snippets of those well-known works to be seen all over. In short, we need Mormon Literature Memes.