Category Archives: Culture

Just a reminder

8.18.14 | | no comments

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If you’re in California or Arizona, Ben Abbott’s Questions of the Heart is only halfway through it’s tour and you’re still in its future.

It’s been getting great reviews as it goes and, to the best of my knowledge, remains the only bit of theater performed to acclaim in both LDS churches and gay bars.

Don’t miss it!

8/23 – Berkeley, CA

The Osher Studio
2055 Center Street

9/2 – 9/3 – San Luis Obispo, CA

Steynberg Gallery
1531 Montery Street

9/9 – Ventura, CA

Location TBA

9/11 – Los Angeles, CA

Location TBA

9/15 – Mesa, AZ

Location TBA

 

Just how dangerous is Shannon Hale?
(part two)

8.14.14 | | 2 comments

This image from the Mormon Artist interview with Shannon Hale. Click on over..

Yesterday, I talked about Shannon Hale’s apparent attempt to make a mainstream success of a novel staring a character who was not “white, male, able-bodied, straight, not too young . . . and not too old“—you know, what we all expect a protagonist to be here in these United States. We discussed the basics of the plot and posed this question:

Does Dangerous succeed at making us identify with Maisie Danger Brown, its home-schooled, geeky, one-armed, half-Paraguayan female protagonist?

Sure. Of course it does. Humans are humans, whatever, no problem. Maisie is fine and we, excepting Klansmen, like her as much as we would a white male two-armed protagonist.

But what’s interesting is how much the novel hedges its bets on our openmindedness—it seems to be a little lacking in confidence that the audience will accept her. more

Just how dangerous is Shannon Hale?

8.13.14 | | no comments

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NOTE: This is a work of cultural and literary criticism, and not a review. Please adjust your expectations accordingly.

This image from the Mormon Artist interview with Shannon Hale. Click on over..

From Shannon Hale’s website,

When I was in the rewrite stage of Dangerous several years ago, a Smart Person read the first 50 pages and immediately let me know her concerns. She said, “Your main character is unrelatable. You made her a home schooled, science geeky, one-armed, half-Paraguayan.” Until this person said all that I had never thought it. I mean, of course I knew knew those things about her, but I’d never strung together all those adjectives in my mind, maybe because the decisions about her character came about piece-by-piece while writing the story, not all at once. . .  more

Responsible Mormons -vs- The Antithesis of Art
(being responsibility)

7.21.14 | | 13 comments

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You average Mormon artist gets married younger than the average artist and starts having children sooner as well. (I don’t have stats to back that up, but anecdotal evidence justifies assuming this is as true of Mormon artists as of Mormons in general.) One significant downside to accepting adult responsibility immediately upon becoming an adult is that responsibility takes up a lot of time. Time that could be spent creating art. (I’m about a quarter through a novel dealing with that issue, actually. At times, it feels a little personal.)

One of my favorite contemporary painters (and, full disclosure, friend of mine), Denise Gasser is currently shopping to galleries art that deals directly with this conflict between being a Responsible Mormon and being an Artist. From her statement: more

Sunstone Kirtland and The Garden of Enid

5.14.14 | | 4 comments

AMVLast weekend I had the chance to attend this year’s regional Sunstone Symposium in Kirtland. I initially had not planned to attend, but after I published three cartoons in the recent issue of Sunstone, the director of the symposium invited me to give a presentation on The Garden of Enid. I gladly accepted.

Kirtland is four hours northeast of my home. Travelling with limited funds, I left at 4:30 in the morning and drove non-stop to the Stannard Stone Quarry in Chapin Forest Reservation, where the early Saints quarried stone for the temple, just two miles south of Kirtland. I had an hour to wait before the symposium, so I grabbed my camera and took a mile-long trail through the forest, hoping to see something neat—like a rock formation. The trail was all trees and moss, however, until I found the quarry itself in a creek a few muddy steps off the beaten path. A few years back, the Church and the local government had put up signage and built a wooden walkway over the creek—perhaps to prevent visitors from climbing down into the creek itself, as I was doing, to get a better view of the chisel marks in the algae-covered stone.

After snapping more pictures than I’ll ever need of the quarry, I hiked back to my car and drove to the Community of Christ’s Kirtland Temple Visitor’s Center, the conference venue, where I picked up my name tag and pocketed a few free copies of Sunstone and an old collection of Mormon cartoons by Calvin Grondahl. From there I headed to the main classroom to wait for the conference keynote address to begin and feel guilty about not making better small talk with strangers.

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What should the talks be about for Mormon Arts Sunday?

5.12.14 | | 11 comments
Kent in a Beret

Why Kent can’t wear a beret on Mormon Arts Sunday (plus, his daughter stole the beret!!)

Our nascent annual attempt to change the way Mormons think about the arts, Mormon Arts Sunday, (a.k.a. “Wear a Black Beret to Church Day”) is approaching soon! I’m trying hard to make this a “thing,” and so while the whole “black beret” thing won’t work for me (as this photo demonstrates), I have managed to arrange for our ward to devote its sacrament meeting on June 8th (the 1st of June is Fast Sunday, so that won’t work) to the arts.

However, we do have to somehow give those who speak on Mormon Arts Sunday a subject. And since there will probably be 3 speakers, we need to divide up the subject of the Gospel and the Arts and Mormon Art into general areas—or at least select three specific topics from among the universe of possible topics. What should we say to speakers? What should they talk about?

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Alex Caldiero’s Performative Poesis:
Making, the Makar, and Mormonism

4.28.14 | | 9 comments

Earlier this month, I presented some of my research on Alex Caldiero’s sonosophy at the AML Conference. After I posted my presentation proposal here, Scott also posted his, and Th. expressed his hope that we would record our papers “for the internet since that’s the only way nonattendees can be assured of hearing them later.” Th.’s request solidified my intention to record my presentation and post it online. So I packed my Samson Go Mic (love that thing!) and my laptop and sound-captured my presentation using Audacity (in case you were wondering). When I listened to the presentation later, I realized I had left some stuff out the day of and made a few additions to the audio to make up for my neglect; I also made some minor cuts where there was too much empty air or where I commented on how slow the classroom’s computer was (O, so slow!). Then I combined the audio with my Prezi, screen-captured the presentation using Open Broadcaster Software, and uploaded the file to YouTube.

I mention my post-conference presentation-revision process and the digital tools I used to create the video I’m sharing because I wanted to show one way in which those tools can potentially augment (and disrupt) the historical modes of critical discussion that are favored in the humanities (i.e., sustained arguments made in writing). In his introduction to the BYU student-produced anthology, Writing about Literature in the Digital Age, Gideon Burton argues that we ought to welcome such disruptions because they can awaken us to the “ongoing vitality of literature as ‘equipment for living’ in the digital age.” They can help us see and experience and share and discuss literature differently, opening the mode of literary conversations to something (potentially) more dynamic and engaging than a monograph published in a print journal with a necessarily limited base of subscribers.

My thoughts on the state of academic publishing aside, I was both excited and disheartened to learn at the AML Conference that next year’s meeting might be held in Hawaii. The move excites me because it’s an attempt to break the Jell-O Belt’s hold on the Association (and the Association’s favor for the Jell-O Belt), to move its focus beyond the continental U.S. I just hope the attempt doesn’t, Humpty Dumpty-like break the Association. Which leads me to why the move disheartens me: as I mentioned in the post where I shared my AML proposal, my wife and I look forward to our annual pilgrimage to the AML Conference; but with the conference in Hawaii next year, we can’t afford to attend. Chalk it up to student loans coming due, a pending move, a mortgage, four kids, and so on. Whatever the case, I’m sad I won’t be able to be there. Yet, our impending conference-nonattendance has had me thinking about alternatives to the time- and geography-bound conference, about ways to approximate or augment the knowledge- and community-building aspects of such conferences, to potentially include more people on the program and in the conference discussions, to move MoLit’s critical culture beyond the ways critics have traditionally made their work public. Sharing my conference presentation online (in video and audio formats) is a gesture toward those alternatives, which I hope to address more later.

Your thoughts on such alternatives and on the content and form of my presentation (which at ~43 minutes is, I know, fairly long) are welcome in the comments.


Follow this link for the audio version.

(Cross-posted here.)

An embarrassment of riches

3.24.14 | | 2 comments

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Wish you were here.

Saturday, the GTU sponsored the Mormonism and Asia conference (plenary session and concluding meet-and-greet at the Berkeley Institute. Here’s an excerpt from the flyer: more