Category Archives: Culture

Here. Read a book. #ldsconf

10.6.14 | | 10 comments

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I suddenly thought to start tweeting #MoLit / #MormonLit stuff during #ldsconf. I wasn’t consistent in my hashtags and not all my examples were ideal and I tended to repeat some works too many times and I wasn’t above being self-promotional, but I wasn’t totally dissatisfied with the results.

I’m putting them here mostly to encourage others to do better.

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Rectifying by Review: my take on Moriah Jovan’s Magdalene

9.9.14 | | 27 comments

When Magdalene was nominated to be considered by the Whitney committee for the 2011 awards, Jennie Hansen, a well-known LDS reviewer and writer, posted a review on Goodreads that caused quite a stir in our little LDS writing community. Her review was short and to the point. She wrote:

“Disjointed, sloppy writing. Lacks real knowledge of Mormons and leadership in the Church. Too much vulgarity for vulgarities sake makes this story crude and amateurish.”  If you are interested, you may read and/or comment on this review here. more

Just a reminder

8.18.14 | | no comments

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If you’re in California or Arizona, Ben Abbott’s Questions of the Heart is only halfway through it’s tour and you’re still in its future.

It’s been getting great reviews as it goes and, to the best of my knowledge, remains the only bit of theater performed to acclaim in both LDS churches and gay bars.

Don’t miss it!

8/23 – Berkeley, CA

The Osher Studio
2055 Center Street

9/2 – 9/3 – San Luis Obispo, CA

Steynberg Gallery
1531 Montery Street

9/9 – Ventura, CA

Location TBA

9/11 – Los Angeles, CA

Location TBA

9/15 – Mesa, AZ

Location TBA

 

Just how dangerous is Shannon Hale?
(part two)

8.14.14 | | 2 comments

This image from the Mormon Artist interview with Shannon Hale. Click on over..

Yesterday, I talked about Shannon Hale’s apparent attempt to make a mainstream success of a novel staring a character who was not “white, male, able-bodied, straight, not too young . . . and not too old“—you know, what we all expect a protagonist to be here in these United States. We discussed the basics of the plot and posed this question:

Does Dangerous succeed at making us identify with Maisie Danger Brown, its home-schooled, geeky, one-armed, half-Paraguayan female protagonist?

Sure. Of course it does. Humans are humans, whatever, no problem. Maisie is fine and we, excepting Klansmen, like her as much as we would a white male two-armed protagonist.

But what’s interesting is how much the novel hedges its bets on our openmindedness—it seems to be a little lacking in confidence that the audience will accept her. more

Just how dangerous is Shannon Hale?

8.13.14 | | no comments

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NOTE: This is a work of cultural and literary criticism, and not a review. Please adjust your expectations accordingly.

This image from the Mormon Artist interview with Shannon Hale. Click on over..

From Shannon Hale’s website,

When I was in the rewrite stage of Dangerous several years ago, a Smart Person read the first 50 pages and immediately let me know her concerns. She said, “Your main character is unrelatable. You made her a home schooled, science geeky, one-armed, half-Paraguayan.” Until this person said all that I had never thought it. I mean, of course I knew knew those things about her, but I’d never strung together all those adjectives in my mind, maybe because the decisions about her character came about piece-by-piece while writing the story, not all at once. . .  more

Responsible Mormons -vs- The Antithesis of Art
(being responsibility)

7.21.14 | | 13 comments

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You average Mormon artist gets married younger than the average artist and starts having children sooner as well. (I don’t have stats to back that up, but anecdotal evidence justifies assuming this is as true of Mormon artists as of Mormons in general.) One significant downside to accepting adult responsibility immediately upon becoming an adult is that responsibility takes up a lot of time. Time that could be spent creating art. (I’m about a quarter through a novel dealing with that issue, actually. At times, it feels a little personal.)

One of my favorite contemporary painters (and, full disclosure, friend of mine), Denise Gasser is currently shopping to galleries art that deals directly with this conflict between being a Responsible Mormon and being an Artist. From her statement: more

Sunstone Kirtland and The Garden of Enid

5.14.14 | | 4 comments

AMVLast weekend I had the chance to attend this year’s regional Sunstone Symposium in Kirtland. I initially had not planned to attend, but after I published three cartoons in the recent issue of Sunstone, the director of the symposium invited me to give a presentation on The Garden of Enid. I gladly accepted.

Kirtland is four hours northeast of my home. Travelling with limited funds, I left at 4:30 in the morning and drove non-stop to the Stannard Stone Quarry in Chapin Forest Reservation, where the early Saints quarried stone for the temple, just two miles south of Kirtland. I had an hour to wait before the symposium, so I grabbed my camera and took a mile-long trail through the forest, hoping to see something neat—like a rock formation. The trail was all trees and moss, however, until I found the quarry itself in a creek a few muddy steps off the beaten path. A few years back, the Church and the local government had put up signage and built a wooden walkway over the creek—perhaps to prevent visitors from climbing down into the creek itself, as I was doing, to get a better view of the chisel marks in the algae-covered stone.

After snapping more pictures than I’ll ever need of the quarry, I hiked back to my car and drove to the Community of Christ’s Kirtland Temple Visitor’s Center, the conference venue, where I picked up my name tag and pocketed a few free copies of Sunstone and an old collection of Mormon cartoons by Calvin Grondahl. From there I headed to the main classroom to wait for the conference keynote address to begin and feel guilty about not making better small talk with strangers.

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What should the talks be about for Mormon Arts Sunday?

5.12.14 | | 11 comments
Kent in a Beret

Why Kent can’t wear a beret on Mormon Arts Sunday (plus, his daughter stole the beret!!)

Our nascent annual attempt to change the way Mormons think about the arts, Mormon Arts Sunday, (a.k.a. “Wear a Black Beret to Church Day”) is approaching soon! I’m trying hard to make this a “thing,” and so while the whole “black beret” thing won’t work for me (as this photo demonstrates), I have managed to arrange for our ward to devote its sacrament meeting on June 8th (the 1st of June is Fast Sunday, so that won’t work) to the arts.

However, we do have to somehow give those who speak on Mormon Arts Sunday a subject. And since there will probably be 3 speakers, we need to divide up the subject of the Gospel and the Arts and Mormon Art into general areas—or at least select three specific topics from among the universe of possible topics. What should we say to speakers? What should they talk about?

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