Category Archives: Commentary

“If it be a true seed, or a good seed”: A Brief Note on Narrative Ethics

7.8.15 | | 2 comments

(My thoughts in this post may not break new ground in narrative studies or be foreign to readers of AMV. I share them, however, as part of my continued project to elaborate a uniquely Mormon vision of language by exploring what uniquely Mormon texts—LDS scripture, in particular—can teach about the value and work of words.)

In Alma’s discourse on faith, he spends a great deal of time elaborating his central conceit. After exploring the need for humility and dispelling the notion that to place faith in something is to know that thing completely, he calls his audience to make a place in their being where they could at least receive and consider the character of his words. Then he introduces his extended metaphor: “we will compare the word unto a seed.” He continues by outlining some criteria for the seed’s growth: it needs to be planted, it needs to be a healthy seed, and it needs to not be tinkered with but left to interact with the soil.

My focus in this brief note is on Alma’s statement about the seed’s health—“if it be a true seed, or a good seed”—and what his language (as I read it) can teach us about narrative ethics. 

The structure of the statement suggests that Alma felt compelled to modify the adjective he wanted to describe the seed. His rhetorical move prioritizes “good” over “true,” a priority supported by the fact that he uses “good” not “true” through the rest of the discourse. Alma’s revision of this condition suggests to me that there may be more value in privileging the goodness of words, the character of language, over their truth—their supposed correlation to reality. In this light, maybe the questions we should ask about a narrative aren’t “Is it true?” or “How true is it?” but “Is it good?” or “What good does it do or encourage its audience to do?”

The prioritization of a narrative’s goodness over its truth is an act of privileging narrative function and ethics over narrative content. Many people (including—maybe especially—Mormons) focus on the latter over the former; Alma suggests that we should flip that focus and attend to how words act upon us as individuals and social groups. He wants us, then, to see language and narrative as moral acts that can change us, our relationships, and the world.


“Woman of Another World, I Am with You”:
Reading the Divine Feminine in Mormonism

5.5.15 | | 2 comments

(Cross-posted here.)

It’s May, which means it’s time to celebrate (among other things) loyalty, Star Wars, nurses, Sally Ride, the end of the Middle Ages, and, of course, Mom.

“A Mother’s Love” by Lynde Mott
First Place, A Mother Here Art and Poetry Contest

To that latter end, I’ve put myself to the task of reading and commenting on the poems featured in 2014’s A Mother Here Contest. You can read more about the contest via that link, but here’s how I see my project working: as an attempt (alongside and in conversation with the contest artworks) to “express the nearness of our Heavenly Mother” and to witness her presence in the cosmos (as coeval with Father) and in the intimate details of our lives.

As I mention, the project (which I’m hosting on will be two-fold:

1. I’ll post a recording of me reading one of the featured contest poems.

2. Alongside that reading, I’ll post a short audio comment (likely no more than four minutes long) in which I respond to the poem and explore what it says about the Mormon Divine Feminine.

My hope in taking this on is to expand the rich discourse that’s emerging re: Mother in Heaven and, in the process, to explore my own relationship with her. I’ve posted elsewhere about my experience talking about the Eternal Mother in a short sacrament meeting sermon. What I didn’t mention was how nervous I was when I stood to speak. I knew there was no silence officially mandated on the topic, but the cultural silence hung heavy in my ears and on my mind. As a result, just before I began speaking about her, my heart rapped hard on my sternum. When I introduced the idea that Mother stands beside Father as they carry out the work of eternity, though, I felt her presence and peace in a way I’ve never felt them before.

I’ve sensed that again as I’ve spent time the past week or so with the contest poems.

So: here goes—my first reading/commentary combo. A caveat, though: since May has 31 days and the contest only features 30 poems, what to do with the extra day? Rather than cut the month short, I found another poem to highlight: Emma Lou Thayne’s “Woman of Another World, I Am with You.” I think it provides a fruitful beginning to this month-long engagement with the “A Mother Here” poems.

Emma Lou Thayne’s “Woman of Another World, I Am with You”

Post 1/31 in my A Mother Here reading series. (I’m four days into the project now. Check out all posts in the series via the link embedded in the previous sentence.)

(Click/tap here to read the poem.)


(Direct link to audio file.)


(Direct link to audio file.)

On the Mormon Vision of Language: Ministering Grace with Words

3.1.15 | | no comments

In this week’s ruminations, I springboard off an article about communication that appeared in the August 2013 Ensign and explore what it means to corrupt and to edify with words.

Thoughts? Sound off in the comments.

(Direct link to the audio file.)

(All posts in this series. // All audio files from this series.)

On the Mormon Vision of Language: Laying on Hands via Language

2.22.15 | | no comments

In which I springboard off a moment from Man of Steel and explore what it means to touch people with the products and processes of the mouth. Again, I mention some things that are specific to the course I’m teaching, but you should still get the gist of what I’m talking about.

Sound off in the comments.

(Direct link to the audio file.)

(All posts in this series. // All audio files from this series.)

I find active LDS artists more interesting

2.17.15 | | 13 comments

I generally believe in big tent Mormon culture (how that relates to the LDS Church is complicated and outside the scope of this post, but you can find hints of it in many of my other writing over the years). To me being part of the radical middle includes being willing to engage with work by artists who are no longer Mormon, or never were Mormon but are writing about Mormons. I’m also interested in Mormon artists who don’t actively engage with their Mormonism in their work. I’m a homer like that.

But I’m most interested in active LDS artists who are focused on settings, characters and/or thematics that are overtly or strongly thematically Mormon.

Let me be clear: I do not think there should be a litmus test on membership. And I respect the decision of artists who wish to remain quiet about their status in relation to the LDS Church (and acknowledge that there could be many reasons for that quiet). But my interest level goes up when an artist signals (publicly or privately) that they are actively engaged with their local congregation, actively working under assumptions of belief, and are struggling with the demands of consecration.

Why is this?

In part, it’s selfishness on my part. I know what I struggle with and delight in, and I want to feel like there are others like me out there in the world. I’m curious about how artists navigate the strange pathways of being an active LDS artist who engages with Mormon elements. I’m not a big believer in Mormon exceptionalism or, for that matter, artists’ exceptionalism. At the same time, I feel like it’s a unique experience that shares similarities with all the ongoing issues related to artists, faith communities, etc., but has some particularities that aren’t found in quite the same alloy elsewhere. That interests me.

But there’s another part: I feel like I know the narratives, preoccupations, arcs of the artists who leave their community to embrace the dominant modes of modern artistic discourse, who “go cosmopolitan”. I also know the paths of the parochial Saint who either stays in the mode that is pleasing to the Mormon market or goes national/international by downplaying their Mormonism. Again: I have and will continue to engage with all of those types of artists. But I’m also losing patience with them. They engage but don’t satisfy. And while they don’t always quite get it right (for me — responses to art are subjective), there’s nothing more satisfying than an artist who has craft, belief, humility and brings that all to bear on work that’s directly engaged with Mormonism. There’s new ground to be explored here. New things to discover.

And finally there’s this — and the more I’m engaged in this, the more it becomes the big reason: I’m interested in building Zion. I’m interested in building Zion in cooperation with the LDS Church and all those who are willing to live in covenant. I recognize the potential (and historical and present) pitfalls and tensions and failings. I recognize where I fall short in so many ways as well as where giving up on that would make some things a lot easier and my art maybe even “better” (or more acceptable). I also recognize where my/our potential audience falls short.

And yet given all that: I don’t care. I’m past feeling self-conscious about all that. I’m looking for Zion moments, Zion movements, Zion people, Zion artists. Where are the artists who are trying to hone their devotion and their craft and their service and their vision and their Mormonism into something that they can place on the altar, into something that will build Zion? I think they’re fascinating. And I want to be among them.

On the Mormon Vision of Language: The Word, Him Who is the Advocate

2.8.15 | | 2 comments

After my hiatus, I’m back with more ramblings on re: language and Mormonism (and the language of Mormonism). This week I spend some time exploring a moment in LDS Church history when the Word stepped in to save the day (as, frankly, He will). I mention some things that are specific to the course I’m teaching, but you should still get the gist of what I’m talking about.

Sound off in the comments.

(Direct link to the audio file.)

(All posts in this series. // All audio files from this series.)

On Reading within the Context of Gospel Values: <br />An Open Letter to Young Mormons (Part 2)

1.15.15 | | 7 comments

ICYMI: In part one of this letter, I address BYU-Idaho’s mission as a Church-sponsored university and place learning and reading within a gospel context; in the second half I walk through a reading of an essay titled “Medical Student” using the principles I outline in my opening discussion. (To encourage engagement with “Medical Student,” . The link will die at the end of this week. If you find this post after 1.17.2015 and would like to read the essay, email me at tyler [at] motleyvision [dot] org.)

I’ve shared this statement especially because it addresses the concern some students have that despite the fact that active Latter-day Saints try not to profane the Lord’s name or to otherwise use foul language, they felt they had compromised their moral standing by reading essays that contain profanity. I hope Pres. Young’s words clarify the idea that the inclusion of such stories in BYU-Idaho’s curriculum isn’t intended to condone the behavior in those stories or to force students into compromising their standards for the sake of a grade. To paraphrase him: “Shall BYU-Idaho practice evil? No; neither has BYU-Idaho told you to practice it, but to learn by the light of truth every principle there is in existence in the world.” more

On Reading within the Context of Gospel Values: <br />An Open Letter to Young Mormons (Part 1)

1.13.15 | | 7 comments

I’ve taught first-year writing at BYU-Idaho since 2010. The curriculum for the course I teach includes a student essay titled “Medical Student” by Margaret Parker. The essay is a well-written, day-in-the-life narrative profiling one aspect of the intense life lived by a med student named JD; this intensity is conveyed through the narrative’s fast-pacing and through some mild profanity. Because this life experience is likely completely foreign to BYU-Idaho’s student base, “Medical Student” appears on the reading list as part of a course unit called “Thinking about the Other.” The unit claims the following objectives:

This unit invites you to reflect on the question—who are they?—insofar as it can be answered by examining the beliefs, values, and experiences of other individuals whose perceptions of “reality” differ from your own. The assumption underlying this unit is that before you can engage in constructive communication about academic, social, and political issues, you must be able to understand and accurately report the experiences and positions of others.

At the end of this unit, you should be able to conduct effective primary research, such as observing and interviewing, to understand and accurately communicate the experiences and positions of someone whose perceptions differ from your own.

Within this context, “Medical Student” is meant to stretch students’ thinking about the people with whom we share this world, especially those who don’t share Latter-day Saint values. Some students (not a lot) struggle to get past the essay’s profanity and have approached me with their concerns. Which is fair enough: if they don’t want to read the essay, that’s their prerogative. One semester, though, a student had major concerns about it, which prompted her/him to worry about the school’s spiritual standing. The response escalated beyond anything I had previously experienced (I won’t go into details) and it prompted me to pray and think deeply about such concerns and how I might best address them with future students to encourage them to look at their education within the context of gospel values. The following letter grew out of that experience. I’m sharing it here because it explores a way of looking through the lens of Mormonism when we read texts that come from outside the Mormon literary tradition. more