Category Archives: Commentary

Rectifying by Review: my take on Moriah Jovan’s Magdalene

9.9.14 | | 27 comments

When Magdalene was nominated to be considered by the Whitney committee for the 2011 awards, Jennie Hansen, a well-known LDS reviewer and writer, posted a review on Goodreads that caused quite a stir in our little LDS writing community. Her review was short and to the point. She wrote:

“Disjointed, sloppy writing. Lacks real knowledge of Mormons and leadership in the Church. Too much vulgarity for vulgarities sake makes this story crude and amateurish.”  If you are interested, you may read and/or comment on this review here. more

Outtakes from my Artistic Preaching interview

6.20.14 | | 4 comments

AMV turned 10 this month so Scott Hales interviewed me for his blog Artistic Preaching. I appreciate the publicity, but am sad about the questions and answers that hit the cutting room floor. So I have decided to publish the outtakes from our interview*:

SH: What advice do you have for young Mormon writers?

WM: You know the advice to show don’t tell? Ignore it. Or rather, show physical details and action and all that rather than just tell it, but make sure that you tell the reader how they are supposed to feel about each of the characters and their actions. You really need to drive home the correct interpretation of the dramatic situation to the reader; otherwise, you risk being misinterpreted. And no Mormon writer should ever be misinterpreted.

And remember: the bad guys have facial hair. Always and without exception.

SH: Can Mormon artists write tragedy?

WM: No.

SH: What do you think about the use of Twitter by Mormons aka the Twitternacle?

WM: Twitter degrades discourse because it limits thoughts to 140 characters. We are a people whose main form of literature is the 20 minute talk. Our leaders used to preach for over an hour. We are going to lose our stamina for longer form work if we continue to indulge in the quick quips and shallow thoughts of tweets. If you are serious about creating Mormon art, you should definitely not engage with the Mormon arts people of the Twitternacle. Even if some people who are part of it are incredibly amusing and interesting.

SH: What issues do we not talk about enough as a community?

WM: Rated-R Movies. The Great Mormon Novel. The lack of an audience for Mormon literature. Why Mormon artists can’t write tragedy.

SH: Entertainment has the EGOT. Horse racing has the Triple Crown. Tennis has the Grand Slam. What’s the Mo-lit Grand Slam?

WM: There are so few awards that I think it’s hard to hinge it around them. I’m going to say that the Mo-lit Grand Slam is getting a lit-fic story published in Dialogue or Sunstone, an historical fiction novel acquired by Covenant, a YA novel acquired by a national publisher, and a short story collection acquired by Zarahemla Books all in the same year.

SH: What’s with all the Mormon Science Fiction & Fantasy writers?

WM: There’s the “Mormons have weird doctrine and like to discuss it and so are used to the speculative form” theory. There’s the “there’s actual money in SF&F” theory. There’s the “critical mass of core writers which then snowballs across the community” theory. My theory is that sleep deprivation because of early morning seminary and/or other church activities and/or having children at a young age and/or going on a mission permanently changes members brains so that we are always in the slightly hallucinatory state that leads to wildly speculative daydreaming which then gets channeled into writing SF&F.

SH: What’s with all the Mormon YA writers?

WM: Well, duh. It’s because Mormons live in an arrested state of development and refuse to face the gritty, difficult, complex issues of adult life and so, naturally, they tend towards YA and middle grade novels both as writers and readers. Also: it’s where the money is.

SH: What’s with all the Mormon lit-fic writers who go apostate?

WM: They aren’t apostate. They’re sleeper agents among the artistic Demi-monde. You would think that they would have been triggered by the Romney campaign, but I have it on good authority that they are being reserved for a different project. It may or may not involve Neon Trees, Jabari Parker and Elder Uchtdorf.

SH: What’s the greatest threat to Mormon letters?

WM: The possibility of the Brethren clarifying once and for all the policy on caffeine, thus banning Diet Coke. Production of Mormon fiction would grind to a halt within just three or four hours.

SH: What’s your next project?

WM: A tragic, YA historical novel featuring Mormon sleeper agents and bad guys with facial hair that’s written as a series of tweets.

*Scott didn’t actually ask me these questions.

Guest Post: D. J. Butler’s City of the Saints: An Irreantum Review

5.29.14 | | 3 comments

Before Irreantum folded, I’d recruited a few people to write book reviews for what I thought would be the last issue. Among the reviewers was Emily Harris Adams, winner of the 2013 Mormon Lit Blitz. Emily was given the assignment to review D. J. Butler’s City of the Saints, a Mormon steampunk novel that was originally serialized and published through Amazon. After Irreantum‘s no-more-ness became manifest, Emily contacted me and asked what to do with her complimentary (i.e. FREE!) review copy. I told her to keep it and forget about the review. Not wanting the book to go to waste, though, she wrote the review anyway and sent it to me to post on A Motley Vision.

So, in memory of Irreantum, I post Emily’s review…with hope that the journal will find a new beginning sometime soon.

****

After reading City of the Saints, I couldn’t quite figure out a succinct way to describe the overarching, grand picture of what I had just mentally ingested. Not until I ran into Dave Butler himself.  When he asked me what I thought of his book, I said,

“It’s history cake, isn’t it?”

And it is. There’s an unabashed reveling in the historical yumminess.

This book isn’t history candy. If you are looking for something enjoyable but without density, a fun read that happens to take place in a historical setting, turn your handcart around because this is not the right place. This story is rich and indulgent but still substantive. In other words: cake.

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What should the talks be about for Mormon Arts Sunday?

5.12.14 | | 11 comments
Kent in a Beret

Why Kent can’t wear a beret on Mormon Arts Sunday (plus, his daughter stole the beret!!)

Our nascent annual attempt to change the way Mormons think about the arts, Mormon Arts Sunday, (a.k.a. “Wear a Black Beret to Church Day”) is approaching soon! I’m trying hard to make this a “thing,” and so while the whole “black beret” thing won’t work for me (as this photo demonstrates), I have managed to arrange for our ward to devote its sacrament meeting on June 8th (the 1st of June is Fast Sunday, so that won’t work) to the arts.

However, we do have to somehow give those who speak on Mormon Arts Sunday a subject. And since there will probably be 3 speakers, we need to divide up the subject of the Gospel and the Arts and Mormon Art into general areas—or at least select three specific topics from among the universe of possible topics. What should we say to speakers? What should they talk about?

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Notes on How to Read a Poem

4.3.14 | | 3 comments

National Poetry Month 2014
(Poster design: Chip Kidd)
Click image for PDF copy of the poster.

I’m of two minds about National Poetry Month.

In one sense, I appreciate the effort (initiated by the Academy of American Poets and institutionalized in April 1996 by President Clinton’s administration) “to highlight the extraordinary legacy and ongoing achievement of American poets; [to] introduce Americans to the pleasures and benefits of reading poetry; [to] bring poets and poetry to the public in immediate and innovative ways; [and to] make poetry an important part of our children’s education” (ref). Even if this official celebration of poets and poetry only happens one month out of twelve and even if people binge on poems during that month but never read another poem all year, at least poetry is being celebrated, right? I can’t complain about that.

In another sense, though, I see poetry as something worth engaging every day. If America can set aside one month a year to advocate for poetry as something that can enhance and enrich “the lives of all Americans” and that “affects every aspect of life in America today, including education, the economy, and community pride and development” (ref), we should be able to make a place (no matter how small) for poetry in our everyday lives, shouldn’t we? Of course, I say this as someone deeply invested in reading and writing and writing about and advocating for poetry. So I may be a little biased.

Whatever the case, and whatever your mind is about poetry and National Poetry Month (prominent poet and critic Richard Howard once called it “the worst thing to have happened to poetry since the advent of the camera and the internal combustion engine,” two contraptions that distanced us from the beauty and rhythms of the earth), I thought I’d share some reflections on how to read a poem, whenever and however often you read one.

The following essay appears as the prologue in my book, Field Notes on Language on Kinship. My ideas (in the essay and in the book) are informed to a great degree by Patricia’s thinking on language and were sparked by her gorgeous poem “Introduction to the Mysteries (or How to Read a Poem).” (Listen to Laura’s stunning performance of Patricia’s poem here.)

* * *

Notes on How to Read a Poem

Some years ago during an undergraduate literature course, a classmate confessed the first time our reading assignment included some poems that “Interpreting poetry is not my forte.” The student’s confession still catches my ear. I hear her/him repeating it poetically in my mind, giving it a lyric ring that comes out more when I write the sentence as if writing a poem, splitting the line after syllable seven:

    Interpreting poetry
    is not my forte.

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Miltons & Shakespeares: a new direction

3.31.14 | | 5 comments

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“We will yet have
Miltons and Shakespeares
of our own.”
Orson F. Whitney
Salt Lake City, Utah
June 3, 1888

“The Mormon Shakespeare
is Shakespeare.”
Terryl L. Givens
Oakland, California
March 29, 2014

Givens was speaking of the Mormon tradition of welcoming truth from all quarters, and specifically referencing something his wife had said earlier in the evening about the Lord recommending to the Saints the works of other wise men in the world. I imagine you can get the details and specific quotations I failed to jot down in their forthcoming book Crucible of Doubt.

Onto Shakespeare who, as Nick Hornby reminds me, wrote for money. Milton, meanwhile, held down a sequence of non-iambic jobs that kept him pretty busy.

Allow me now therefore to suggest a new way of looking at Whitney’s thought. He did, after all, preface his famous line by saying “They [the great writers of the past] cannot be reproduced.” So perhaps looking for a Mormon to “be” Milton or to “be” Shakespeare may be simply wrong wrong wrong.

Also, I’m a little tired of the Orson Scott Card model being promoted over the Darin Cozzens model, or the Angela Hallstrom model being promoted over the Heather B. Moore model. Why should writing that is designed to be commercial be valued greater or lesser than writing that exists without such concerns? Shakespeare and Milton were both great writers, both changed literature, both still matter today.

So maybe instead of stressing about the Whitney prophecy and instead of arguing over whose writing goals are more worthy, we can smile kindly and say, well, Shakespeare (or Milton), good luck out there. I’m glad someone’s writing Hamlet (or Paradise Lost) while I’m working on Lycidas (or Lear). Together we’re making a literature for our people. And it’s going to be awesome.

Replacing Irreantum: Readership

12.5.13 | | 20 comments

This post brings to an end my analysis of the barriers involved in replacing Irreantum, the now defunct literary journal of the Association for Mormon Letters.

Other installments: Scope/Positioning | Staffing/Production | Generating Submissions |Financial Models | Starting Up | Readership

READERSHIP

This series began by me thinking through the issues related to replacing a small, now defunct Mormon-themed literary journal (Irreantum). Looking at all the challenges (and choices) involved, it’s easy to see why very few are willing to take them on. But if there’s a reason to do it, then it’s for this — the readership. That’s true of any publication, but I think it’s especially true for the Mormon readership. In my experience, although the readership may be small, the actual readers are delighted to find something on the page that they can relate to. It’s important, rewarding work, and if a replacement could come about that expanded the readership that Irreantum had developed, that would be a great gift to the Mormon people.

And yet, I don’t want to downplay the concerns. Mormon publications have a mixed track record. There are no unqualified successes and the trail has been hard sledding the past few years for outlets that focus on fiction (Dialogue and Sunstone seem to be doing okay, but neither focuses primarily on creative work). Literature has long been in last place in terms of attention from the Mormon Studies crowd. And what readership there is seems to me to be fragmented along several axes in relation to content appropriateness; genre-literary; types of narrative art (fiction, essay, poetry, film, theater); socio-cultural experiences (Mormon corridor – diaspora); cultural aspirations (deseret school – missionary school); etc. more