In honor of Enid’s recent (and rapid) rise to popularity, I give you the following: more
Last weekend I had the chance to attend this year’s regional Sunstone Symposium in Kirtland. I initially had not planned to attend, but after I published three cartoons in the recent issue of Sunstone, the director of the symposium invited me to give a presentation on The Garden of Enid. I gladly accepted.
Kirtland is four hours northeast of my home. Travelling with limited funds, I left at 4:30 in the morning and drove non-stop to the Stannard Stone Quarry in Chapin Forest Reservation, where the early Saints quarried stone for the temple, just two miles south of Kirtland. I had an hour to wait before the symposium, so I grabbed my camera and took a mile-long trail through the forest, hoping to see something neat—like a rock formation. The trail was all trees and moss, however, until I found the quarry itself in a creek a few muddy steps off the beaten path. A few years back, the Church and the local government had put up signage and built a wooden walkway over the creek—perhaps to prevent visitors from climbing down into the creek itself, as I was doing, to get a better view of the chisel marks in the algae-covered stone.
After snapping more pictures than I’ll ever need of the quarry, I hiked back to my car and drove to the Community of Christ’s Kirtland Temple Visitor’s Center, the conference venue, where I picked up my name tag and pocketed a few free copies of Sunstone and an old collection of Mormon cartoons by Calvin Grondahl. From there I headed to the main classroom to wait for the conference keynote address to begin and feel guilty about not making better small talk with strangers.
I’ll be in Salt lake City this weekend for Fan Experience. I’ll be giving an updated version of my Mormons and comics discussion from the first SLC Comic Con which will, among other changes, mention Nathan Shumate’s Cheap Caffeine, incorporate information from a couple AML presentations (James Goldberg on The Garden of Enid, Stephen Carter on Book of Mormon comics), and the Kickstarter campaigns for iPlates and From the Dust. Mike Homer will give his presentation on representations of Mormons and Utah in comics over time. (240 seats)
Fifteen minutes before that rerun, a panel of Monsters & Mormons participants will be publicly talking about their work and what’s become of it. I’m a bit confused over the final makeup of the panel (this story is personally embarrassing, but that’s a story for another day), but expect at least seven people you definitely want to hear from. (220 seats)
Then fifteen minutes after the comics rerun, I’ll be on a Sherlock Holmes panel which I really really hope has no Mormon tie-ins. (400 seats)
Based on the numbers here, I think I should be able to take 10.75 days off teaching and still reach the same number of people. Sweet.
Although we miss many worthy projects, Kickstarter has become a funding home for many Mormon artists, including some explicitly Mormon projects. Such as Stephen Carter and Jett Atwood’s iPlates.
I’ve written about the first volume before, and I anticipate this volume to improve on the first. (I have no good proof this will be the case; I’m just extrapolating from a trend.) The story will be 128 pages based on Mosiah 12-13.
And: if the project is successful, they’ll start right away on their next project. Volume three will star Abish.
On December 12, I received my copy of the two-volume Mormons and Popular Culture in the mail. know it’s not out until the 31st, but Praeger‘s the sort of classy joint that hooks the contributor up before the general population. I think this is the first time in my career I’ve received a copy of my work before the general public. . . .
Anyway, the two-volume work covers the gamut from film to football, with surveys on everything from comics to historical sites and closeups on folks from Stephenie Meyer to Glenn Beck. Some of the essays are versions of ones we know like Randy Astle’s work on cinema and some are utterly new. I mean—did you know about Rose Marie Reid? more
So this is not some snazzy, official list with criteria, rubrics, or voting committees. This is just my personal, gut-feeling-favorite Mormon Arts contributions that I have experienced this year. This also doesn’t mean that it was even published or produced in 2012… these are works/artists that I have personally encountered this year (or so). So keep that in mind as I submit “Mahonri Stewart’s Personal Mormon Arts Favorites of 2012!” (Which may or may not become an annual tradition, depending on how lazy I am next year).
FAVORITE MORMON PLAY: MELISSA LEILANI LARSON’S MARTYRS’ CROSSING
So, beyond what I’ve seen my Zion Theatre Company produce this year, I haven’t had a chance to see much Mormon Drama in 2012 since I live in Arizona (kind of pathetic since I’m supposed to be the Mormon Drama expert around here). I can’t visit Utah on a whim to see the rare Mormon themed play that comes around (or, this year, New York with #MormonInChief!), but what I have done this year is read a bunch of older Mormon plays to finish my editing for Saints on Stage. Since one of those plays was produced again this year, I am choosing Melissa Leilani Larson’s Martyrs’ Crossing, which has been getting great reviews at the Echo Theatre in Provo. I saw BYU’s production of the show years ago and read it again this year, and it’s as beautiful and vibrant as I remember it. Melissa is one of Mormonism’s best playwrights and, although I would call Little Happy Secrets her best work so far, Martyrs’ Crossing is a personal favorite, much due to Mel’s beautiful writing and to my love for Jean d’Arc… who I may tackle a play about some day as well, although it would be pretty different than Mel’s take. Mel keeps beating me to the punch on stories that I love, including Jane Austen’s Persuasion and her upcoming adaptation of my all time favorite novel, C.S. Lewis’ Till We Have Faces. Despite that personal frustration, I can’t but help look at these works and say, “Well, at least Mel wrote it, because it’s beautiful.”
FAVORITE MORMON PLAYWRIGHT: MATTHEW GREENE
Although I haven’t seen or read it, just the fact that Matthew Greene was able to get a Mormon themed play up in major a New York fringe festival is nothing to sniff at. I’ve read both positive and negative reviews for #MormonInChief, but I admire Matthew (who was in BYU’s WDA Workshop with me several years ago) for really jumping into the New York theater scene and progressing the cause of Mormon Drama. He’s also got an upcoming play coming soon to Plan-B Theatre Company in Salt Lake City called Adam and Steve and the Empty Sea. Matthew is getting some real traction in his career as a dramatic writer and I believe it’s well deserved. more