Loyal readers of Douglas Thayer’s fiction will not be surprised—at least initially—by his latest novel, Will Wonders Never Cease: A Hopeful Novel for Mormon Mothers and Their Teenage Sons (Zarahemla Books, 2014). For the last half-century, Thayer has been writing stories about young Mormon men, still naïve in the faith, whose battles with wilderness and human nature leave them emotionally and physically scarred, yet also hopeful and spiritually more mature. His protagonists are not the guilt-drenched youths of Levi Peterson’s fiction, whose forbidden experiments with sin and sex leave them feeling acutely the classic division between body and spirit. Instead, they are sensitive, righteous young men who take beating after beating from a world where God observes more than he intervenes. Thayer’s protagonists are acquainted with death, cruelty, and injustice. If anything redeems them, makes them willing to hope, it is their awakening to grace and the strong influence of their mothers.
Of course, it is easy to overlook the influence of mothers in Thayer’s fiction. Thayer, like Cormac McCarthy or Ernest Hemingway, is not known for writing strong female characters—not because his work doesn’t have them, but because the testosterone level in his stories has a tendency to overwhelm the narrative to the point of muffling (though never silencing) female voices. This is certainly true in the three novels that precede Will Wonders Never Cease—Summer Fire (1983), The Conversion of Jeff Williams (2003), and The Tree House (2009)—each of which has a significant female character who occupies the role usually given to a sage old man in most storytelling traditions. These female characters are uniformly motherly and wise to the ways and wiles of the world. They are frank and intelligent, always ready with advice and counsel, and deeply caring. Moreover, so much of what they do is to compensate for the adult men in the novels, whose physical ailments, spiritually immaturity, and emotional stuntedness make them little more than cautionary tales for the young protagonists. Still, despite the overwhelming influence these female characters have, as well as the crucial role they play in each narrative, they never seem to take center stage in the reader’s mind.