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Archive for June, 2010

Some Definitional Thoughts About YA (Mormon) Fiction

6.30.10

Author’s note: This started as a post on my own blog on whether or not No Going Back is a YA novel. I showed it to William Morris, who suggested that I post it here. I quote from his comments: “I know you are worried about readers tiring of hearing about No Going Back, but [...]

Vote on William’s byline/author credit

6.29.10

So I’ve been listening to more Writing Excuses podcasts, and I got to the one on branding with Rob Wells, and I realized that I’m doing the cobbler’s children thing with my own poor self. I mean, I know branding — it’s a big part of my day job. And I’ve done that a bit [...]

Weekend (Re)Visitor: Gentlemen Broncos

6.18.10

In the early days of AMV, I wrote briefly about the limitations of urban(e) critics who were trying to review Napoleon Dynamite and failing to get their minds around what Jared and Jerusha Hess were doing. I never reported back on that, but after watching the film several years later, I discovered that, yes, I was right [...]

The Writing Rookie #12: Realism and Artistic Convention

6.17.10

Here’s a somewhat belated addition to my series based on insights from writing my first novel, No Going Back. For the complete list of columns in this series, click here.
If art is, in part at least, the imitation of reality, it’s an imitation that’s largely bounded by and grounded in artistic convention. That’s something [...]

Monsters & Mormons: June progress update

6.16.10

I’m pleased to announce that you all have already submitted 14 short stories and 2 novellas to Monsters & Mormons. Theric and I are, well, we are somewhat surprised and totally delighted and just a wee bit overwhelmed — this is really awesome, guys. Thanks so much.
We’re also ready to start reading, and depending on [...]

Zadie Smith on Nabokov on the author’s walls

6.15.10

In her collections of essays Changing My Mind: Occasional Essays (Amazon), Zadie Smith deals brilliantly with the collision of the liberation that comes from the death of the Author (as represented by Roland Barthes) and the demands of craft and control from the author (as represented by Vladimir Nabokov). Or as she puts it: “In my [...]

Announcing: LDS Cinema Online

6.14.10

I’m pleased to announce that LDS Cinema Online has joined the AMV family. This new blog features reviews and criticism from Kevin B (also known as the Baron of Deseret, whose reviews previously were published at The Waters of Mormon) and Adam Figueira of Towards an LDS Cinema. By combining forces, they will, I’m sure, [...]

Critic’s Corner: Eugene England on OSC’s Pastwatch

6.11.10

I’m pleased to announce the launching of Critic’s Corner here at AMV. As with our other Friday/Weekend features — Short Story Friday, Payday Poetry, and Weekend (Re)Visitor — I’m hoping that my co-bloggers and AMV’s readers will help me with the effort, which was inspired by the responses to a previous post on works of [...]

Why I like Writing Excuses

6.09.10

I tend to run hot and cold when it comes to listening to podcasts, and it’s only recently that I’ve become more dedicated to the consuming the form. And it’s only even more recently that I’ve become dedicated to Writing Excuses, which features Mormon genre authors Brandon Sanderson, Howard Tayler and Dan Wells (as well [...]

The evolution of Irreantum (spine edition)

6.07.10

This is every issue of Irreantum but one (and only in rough chronological order). Plus the last four AML Annuals that were published:

click here for a larger version of the photo
I finally unpacked the box with all my older copies of Irreantum and found a shelf for the entire print run. At some point I’ll [...]

The First Work of Mormon Literature (except scripture)

6.03.10

In a sense, Mormon Literature began 178 years ago this month, with the publication of the Evening and Morning Star.

The (Re)Identification of (Collective) Memory, Part II

6.02.10

I pick up today where I left off yesterday.
* * * * *
Across the Ironic Distance: Negotiating the Narrative Gaps
Each of the ten stories in Where Nothing Is Long Ago deals with the protagonist’s (Budge’s) efforts to negotiate her way into this awareness and through or into some aspect of life [...]

The (Re)Identification of (Collective) Memory, Part I

6.01.10

Note: This is the first post in a two part serialization of a seminar paper I wrote this last semester for a class in the modern(ist) short story sequence. As examples of the genre, we read Dubliners, Winesburg, Ohio, In Our Time, Go Down, Moses, The Golden Apples, The Maples’ Stories, and Cathedral. Along [...]