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	<title>Comments on: Get a look at a big time author&#8217;s contract &#8212; OJ Simpson&#8217;s</title>
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	<link>http://www.motleyvision.org/2007/get-a-look-at-a-big-time-authors-contract-oj-simpsons/</link>
	<description>Mormon Arts and Culture</description>
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		<title>By: Kent Larsen</title>
		<link>http://www.motleyvision.org/2007/get-a-look-at-a-big-time-authors-contract-oj-simpsons/comment-page-1/#comment-7429</link>
		<dc:creator>Kent Larsen</dc:creator>
		<pubDate>Sat, 27 Jan 2007 02:29:51 +0000</pubDate>
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		<description>Buck, I think you are misreading this contract.

As I read it, they mean the change at 50% (actually the change is at their &quot;announced discount&quot; which we presume to be 50%, but could conceivably be 55% or even 60%) regardless of channel. So, yes, sales at 50% are a $2 royalty per copy, and sales at 51% are $0.98, as long as those sales are either made on a non-returnable basis or are considered &quot;special sales&quot;

In my experience this is the case in contracts with most large trade publishers. I&#039;ve also seen contracts from Henry Holt &amp; Co. (part of the group that owns St. Martins Press), Bantam Doubleday Dell (now part of Random House), and children&#039;s book publisher North South Books. All these companies had similar clauses in this respect.

The idea here is there comes a point at which the discount is so high that the publisher isn&#039;t making much money at all on the sale. Because the publisher isn&#039;t likely to make these sales (and doesn&#039;t unless the quantities are large enough) and because they are nearly unprofitable, the publisher wants the author to &quot;share the lower margins.&quot;

It is an abrupt drop, and some contracts drop the rate more gradually (for example, 1/2% for every additional 1% of discount).

In practice it isn&#039;t very worrysome because Publishers don&#039;t normally sell books at these discounts. The average author will never see such sales on the statement. More likely, the author will see a &#039;remainder&#039; sale on which he gets no royalties.</description>
		<content:encoded><![CDATA[<p>Buck, I think you are misreading this contract.</p>
<p>As I read it, they mean the change at 50% (actually the change is at their &#8220;announced discount&#8221; which we presume to be 50%, but could conceivably be 55% or even 60%) regardless of channel. So, yes, sales at 50% are a $2 royalty per copy, and sales at 51% are $0.98, as long as those sales are either made on a non-returnable basis or are considered &#8220;special sales&#8221;</p>
<p>In my experience this is the case in contracts with most large trade publishers. I&#8217;ve also seen contracts from Henry Holt &#038; Co. (part of the group that owns St. Martins Press), Bantam Doubleday Dell (now part of Random House), and children&#8217;s book publisher North South Books. All these companies had similar clauses in this respect.</p>
<p>The idea here is there comes a point at which the discount is so high that the publisher isn&#8217;t making much money at all on the sale. Because the publisher isn&#8217;t likely to make these sales (and doesn&#8217;t unless the quantities are large enough) and because they are nearly unprofitable, the publisher wants the author to &#8220;share the lower margins.&#8221;</p>
<p>It is an abrupt drop, and some contracts drop the rate more gradually (for example, 1/2% for every additional 1% of discount).</p>
<p>In practice it isn&#8217;t very worrysome because Publishers don&#8217;t normally sell books at these discounts. The average author will never see such sales on the statement. More likely, the author will see a &#8216;remainder&#8217; sale on which he gets no royalties.</p>
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		<title>By: Buck Jeppson</title>
		<link>http://www.motleyvision.org/2007/get-a-look-at-a-big-time-authors-contract-oj-simpsons/comment-page-1/#comment-7334</link>
		<dc:creator>Buck Jeppson</dc:creator>
		<pubDate>Fri, 26 Jan 2007 04:59:03 +0000</pubDate>
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		<description>Unfortunately, the contract seems to have been printed on legal-sized paper and the PDF is letter-sized, so part of each page is cut off. Still it&#039;s interesting. A question: am I reading correctly that if the books are sold in channels other than the book trade (gifts, remainders, etc.) the author&#039;s royalties are based on the net received rather than the cover price? So if a publisher sells a $20 book to a large trade wholesaler at a 50% discount the author gets $2 royalty, but if the book is sold to a gift wholesaler at a 51% discount the author gets $.98 per copy? If so, the publisher does very well to sell to anyone other than the book trade, even at larger discounts. Right?</description>
		<content:encoded><![CDATA[<p>Unfortunately, the contract seems to have been printed on legal-sized paper and the PDF is letter-sized, so part of each page is cut off. Still it&#8217;s interesting. A question: am I reading correctly that if the books are sold in channels other than the book trade (gifts, remainders, etc.) the author&#8217;s royalties are based on the net received rather than the cover price? So if a publisher sells a $20 book to a large trade wholesaler at a 50% discount the author gets $2 royalty, but if the book is sold to a gift wholesaler at a 51% discount the author gets $.98 per copy? If so, the publisher does very well to sell to anyone other than the book trade, even at larger discounts. Right?</p>
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