Welcome The Krakens

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Have you ever heard of Garrick Infanger? I haven’t.

Have you ever heard of The Krakens? Not until tonight, I hadn’t.

I was searching for information on LDS artist Heather Dixon and found a brief interview with her on this Krakens site. Further explanation reveals it is curated by one Garrick Infanger (of whom I have never heard) and has been since, I think, 2015.

And it is awesome.

It has people I know well and people I’m immediately excited to discover and people I never would have thought to look for. It covers the oldies and it covers those who make things happen.

It is, in short, a great addition to the Mormon Arts world and I commend it to you.

also on Instagram

Mormons as Normal People:
a brief look at the Mormon
elements in Anthony Holden’s
Precious Rascals

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I wasn’t aware of Anthony Holden until only just recently when a mutual friend pointed me in the direction of his new book, Precious Rascals. I just finished reading a pdf of the book, which I concluded then immediately ordered a hard copy to share with my own family.

Precious Rascals is half comics diary, half memoir. Holden is sharing with comics he made first for himself and perhaps his wife, then for his children—sort of a large plates in funny-pictures form. The comics are charming and funny, and the accompanying prose is charismatic even when it risks becoming self-indulgent (which isn’t often; largely it’s as fun as the pictures).

I’m writing about his book here because the way he deals with his family’s LDSness is interesting. Interesting largely because it is utterly matter-of-fact. He doesn’t feel the need to make it a big deal; he doesn’t feel the need to secretize their Mormon identity.

It is, in other words, a healthily unapologetic way of being publically Mormon. So if you need a theory-centric reason to buy a book that will make you laugh, let that be it.

Here are a couple more little bits to show the range of Signifying Mormon seen in the collection:

Association for Mormon Letters 2017 Conference Call for Papers

Writing the Past:

Intersections of Literature and History in Mormon Letters

Utah Valley University

April 22, 2017

Mormons have long made recording and preserving their history a priority. On the day Joseph Smith organized the Church of Christ in 1830, he revealed that “there shall be a record kept” in the new church. Almost a year later, John Whitmer became the first person tasked with “writ[ing] and keep[ing] a regular history” of the Mormon people. Since then, Mormons have sought to preserve not only their institutional history, but their cultural and personal histories as well.

Mormon creative writers have likewise sought to engage the Mormon past. Among the earliest works of Mormon fiction, poetry, and drama were texts that retold and memorialized the epic story of the Mormon pioneers and their efforts to establish a foothold in the Intermountain West. In subsequent years, Mormon writers have continued to show interest in their history, producing texts that explore the history of the Latter-day Saint experience across the globe.

These works, while grounded in the events of the past, often offer insight into the present as well, creating multi-layered texts that give insight not only into Mormon understandings of history and memory, but also into the historical moment of the text itself.

For the 2017 Association for Mormon Letters Conference, we invite proposals for papers, panels, and readings that explore the intersections of literature and history in Mormon letters. We will also consider proposals on other subjects that fall within the boundaries of Mormon Letters.

Send proposals to scotthales80@gmail.com by 1 February 2017. Proposals should be no more than 300 words and include the title of the presentation as well as audio-visual needs.

Announcing the States of Deseret table of contents

I’m delighted to announce the table of contents for the forthcoming Peculiar Pages alternate Mormon history anthology States of Deseret:

The Guns of Perdition by D. J. Butler
Latter-Day Confederacy of Nations by Lori Taylor
Richard Meets the Missionaries by Anneke Garcia
Not Even the Names Have Been Changed by Marion Jensen
Another Meadow by Eric A. Eliason
The Father by Inari Porkka
The Electric Apostle by David J. West
Subject to Kings by Lee Allred

It’s a fascinating, fun set of stories that range in time period from not too long after the death of Joseph Smith all the way to the modern day. More importantly, our authors tackles the idea of alternate Mormon history in very different ways, both in terms of concept and storytelling.

More news to come, including a release date, as we work through the stages of production. Most likely it’ll come out in the first quarter of 2017. May 2017 at the latest. I can’t wait for you all to read these stories.

On a personal note: I went into the task of editing this anthology with selfish reasons — I wanted the community of authors who are interested in Mormon fiction to pick up this genre and play with it in a way that’d be interesting to me because it’s something I’ve been thinking about (and even tried writing myself) over the past couple of years. So thanks again to all those who submitted and especially our contributors. It’s always nice to get what you want.

Sundry Moldy Solecisms # 3 Mahonri Stewart, A Roof Overhead

Title: A Roof Overhead and Other Plays
Author: Mahonri Stewart
Publisher: Zarahemla Books
Genre: Plays
Year Published: 2016
Number of Pages: 390
Binding: Paper
ISBN13: 978-0-9883233-7-7
Price: $17.95

The summer after my junior year in high school, or maybe the year after, I saw an audition notice for a BYU graduate student production, The Persecution and Crucifiction of Jesus: Four Plays from the Wakefield Mystery Cycle.

Our director, Rodger, explained how mystery plays were performed by medieval guilds, so we would be playing both medieval guildsmen and the characters they were playing. And since the plays were travelling shows, Rodger built a pageant wagon for the set and planned to perform at the University Mall.

He decided later that the sacred character of the plays didn’t lend itself to audiences wandering in and out as they would at a mall, so we set up the pageant wagon and the audience seating on the Pardoe Theater stage, close enough to see the audience jump when the Roman soldiers were pounding the nails into Jesus’s hands. (There was a washer in his palm that the end of the wooden nail fit into, so there was no damage, but what the audience could imagine.)

Then they raised up the cross and dropped it into a hole at the back of the pageant wagon. (Audience gasps.) My character was the one who took Jesus down, draping a long cloth around his waist and up over the arms of the cross to hold him in place so the others could undo the ropes holding his arms and legs to the cross. Then we would lower him down into the arms of Mary and the burial party. Of course, Rodger cautioned us to be very careful not to drop him, as the actor would have no way to break his fall, but would surely break his legs.

Continue reading “Sundry Moldy Solecisms # 3 Mahonri Stewart, A Roof Overhead”

On Sheldon Lawrence’s Hearts of the Fathers and Categories of Relgious Fiction (with a most inappropriate comparison)

I had the pleasure of reading Sheldon Lawrence’s book Hearts of the Fathers a couple of weeks ago. Dr. Lawrence is a professor at BYU-Idaho, and when I requested to review an advance copy, he had it delivered to my husband, who also works at BYU-Idaho. When my husband picked it up and read a page on his way to delivering it to me, he stated that it read like “a book written by a BYU professor.” This worried me. He didn’t mean it in a bad way, but I’ve had some bad experiences with fiction written by BYU professors.

Then I began to read it, and to my pleasure, I was immediately drawn in. Continue reading “On Sheldon Lawrence’s Hearts of the Fathers and Categories of Relgious Fiction (with a most inappropriate comparison)”

Reading The Devil Is Due in Dreary as a Mormon text

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David Parkin gave me a copy of The Devil Is Due in Dreary after my Comic-Con presentation. He’s a friend of a friend and we all ate dinner together, discussing the nature of being a Mormon and an artist and/or a Mormon artist. Also, I’m sad to share, I heard some unpleasant stories about bias against Mormons in Tinseltown. So there’s that.

Anyway, The Devil Is Due in Dreary shares some surface traits with Pariah Missouri—terrifyingly authoritarian religious orders in a Western setting tinged with the supernatural. But Dreary is either modern or near-modern and thus Dreary the town isn’t merely frontier (as is Pariah), but isolated—a pocket of the past trapped in the modern world. Continue reading “Reading The Devil Is Due in Dreary as a Mormon text”